A Quote by Alex Lawther

I love period drama as much as the next person, but there's a tendency to let all of the costume get in the way of the people. — © Alex Lawther
I love period drama as much as the next person, but there's a tendency to let all of the costume get in the way of the people.
I have never been in, nor have I had any strong particular desire to be in, what is termed a costume drama, but I keep forgetting to think of 'Charles II' as a costume drama.
I think there's a tendency in England, when you look at the past, to either have upper middle class period drama with its own rules, or if you're going to look at working class people, you have to do that in a particular 'Isn't it a shame, aren't they oppressed' way, or it's treated comically.
As soon as I see period costume, I turn off. It's like hearing drama on Radio 4.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
I'd always wanted to do costume drama, but period dramas often become very wooden. Just because they're born in the 1400s, all of a sudden people start losing their sense of humour or their personalities.
Put me in a costume, and I'm your man. I must have one of those faces which seems to suit period drama more than modern films and TV programmes. But I'm not complaining, I love going back in time. I feel quite lucky because nobody knows who I am. I can walk about and have ordinary conversations with people.
I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources.
I think that people are looking beyond the wig. I think they are saying, This isn't just a costume; there's a person behind this. If this costume, this character, this person has this kind courage? Why don't we share that?
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
I always love costume, and I'm always heavily involved in how things should look. Or how they should feel really, because that's part of the way I suppose I get into character in some ways. It's a lot about costume.
Steampunk is...the love child of Hot Topic and a BBC costume drama
I love doing comedy, and I don't get a chance to much. I get to play lots of serious people, and killers, and people with a lot of... sheriffs. Good people and bad people, but lots of drama, and to get a chance to be genuinely silly is a great treat for me.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
What you don't get necessarily at drama school is a gigantic mix of people. At university, there's people from every social background, and you get to go through that period of being naive and not quite sure who you're going to be.
I love costume dramas, I love performing in them, because in a funny kind of way, you feel more free. You know about the period, you can read the books, you can see the paintings, but you've never actually going to know what it was like. You can kind of stretch those boundaries a bit.
I'd love to do a costume drama movie. For no other reason, except that it sounds fun to me.
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