A Quote by Alex Lawther

Hiding behind a tougher outer image as a teenager feels cooler and safer compared to admitting, perhaps, that you're the very opposite. — © Alex Lawther
Hiding behind a tougher outer image as a teenager feels cooler and safer compared to admitting, perhaps, that you're the very opposite.
I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.
I have 1.4 million followers on Twitter. I get very interesting, sometimes very diverse input from my followers. So it's sort of like this water cooler, digital water cooler, if you want to think about it, where you go and you listen to conversations that are happening that perhaps will shape your thinking.
One need not be a Chamber - to be Haunted - One need not be a House - The Brain - has Corridors - surpassing Material Place - Far safer, of a Midnight - meeting External Ghost - Than an Interior - Confronting - That cooler - Host. Far safer, through an Abbey - gallop - The Stones a'chase - Than Moonless - One's A'self encounter - In lonesome place - Ourself - behind ourself - Concealed - Should startle - most.
When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you
For some reason a nation feels as shy about admitting that it ever went forth to war for the sake of more wealth as a man would about admitting that he had accepted an invitation just for the sake of the food. This is one of humanity's most profound imbecilities, as perhaps the only justification for asking one's fellowmen to endure the horrors of war would be the knowledge that if they did not fight they would starve.
I make no apologies in admitting that I take very seriously the dehumanizing dangers in our tendency in modern science to make man over into the image of the machine, into the image of the techniques by which we study him.
There is a narrative behind every image. I often imagine being able to see the photographer standing behind the camera, or perhaps crouching or running with it.
I can take it. The tougher it gets, the cooler I get.
When you're in prison, there's no hiding. These women are not hiding behind towels and shower curtains. They go to the bathroom with no doors on the stalls. It would actually look weird, if these women were hiding.
It's easy to be miserable. Being happy is tougher - and cooler.
During teenager times, the feelings of longing is perhaps at its most strong and profound because everything feels multiplied by ten.
We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.
Appear tougher or cooler or funnier than you feel and there is a chance you'll make it.
I think the shyness one feels in childhood is often overcome with time. There are children who hide behind their parents' legs, but you don't see grown-ups hiding behind people. It just doesn't happen. I mean, not that often. People develop social skills over time.
People can hide behind a screen. No one is going to do it at a match, in front of you, like throw a banana at a black player or something. They are very happy hiding behind a screen and being comfortable.
There's a pressure to conform to particular images, and it feels a pretty exclusive pool of body image or facial image that is considered appealing. And in a way, that feels like pre-judging what an audience might actually want.
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