A Quote by Alex Lifeson
One doesn't want to feel too contented; you have to feel challenged by the music.
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If anyone can figure out how to balance my celebrity and my dual careers in music and film, it's me. I don't feel frightened; I feel challenged.
There are different parts of us. You want to feel safe but you want to also feel challenged.
It's important to me that people feel connected to the band through the music, you know? I don't want it to be wallpaper. I don't want it to be background music. I want it to be clear: This is the song. These are the words. If you feel the same way as I do, sing it as loud as you can.
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
I feel like too many people on the West Coast, they're too needy. They feel they need Snoop or Game. I never did any tracks with any West Coast artists. Not because I didn't want to, but because I didn't feel like that's what I had to do in order to get on. I just did music.
It's a big theme throughout my music to just embrace everything about your own mind and to always feel powerful. It's not just a feminine thing, but for men, too, whether they feel weak, or strong or crazy or reclusive. I want everyone to feel powerful no matter what little beasts they have in their head.
I feel also that the rhythm of a production is made by the lighting. If it feels like it's too long and too slow, it may well be because the light is changing in a way that makes the audience feel that way. Definitely I feel that light and music are very closely related.
The people need to feel the music. That's what's so important, and that's what is missing. You have to let the audience feel you, you have to let them feel the love, feel the rock 'n' roll, feel the energy.
I think, as an artist, it's very important to continue to be challenged and feel challenged all the time.
Some of us get a feeling when we hear music and we feel music, and you want to figure out how to continue to feel that.
I challenged Coleman and he accepted, he said he'd fight me. I pointed at Baroni and challenged him too, he looked at me with a bewildered look on his face and asked: "Me?", I said "Thats right, You!!" I also challenged Quinton Jackson and he looked at me and said "Me too?", and I responded. If you want some, there is some for you too!
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
We feel most small, we feel most challenged when we're only focusing on ourselves. Because even when you fulfill yourself, meaning you get what you think you want, you still find yourself in a position where it's never enough.
I do not want to work to stay busy. I want to feel excited and challenged with each character that I portray on-screen.
The times when I feel not alive is when I feel stifled, when I feel like the emotion that's in me is not coming out. I'm too busy, too hectic. I'm serving my iPhone more than my spirit. Those are the times I feel bad.
I don't want to make music alone in a dark studio and make me feel awful and depressed. I want to make music and feel happy and get to share it with people.
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