A Quote by Alex Lifeson

We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough. — © Alex Lifeson
We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
I wasn't interested in fame, and I'm still not. So I never felt I had to match that first record in terms of commercial success.
I mean, all the record companies said no, you know, say 10 record companies, whatever. But one said yes, and it took only one to make The Go-Go's happened.
Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.
It reminded me of talking, how what is said is never quite what was thought, and what is heard is never quite what was said. It wasn’t much in the way of comfort, but everything has a little failure in it, and we still make do somehow.
I've never been interested enough to have a career trajectory. I've never had any ambition or thought of what I should be doing or had any idea of what I'd like to do. Never. And still don't. And if something comes along, I say 'Fine.'
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films.
No one has said, 'What are you doing still playing?' Everyone said, 'Play as long as possible.' You stop when you stop enjoying it, and I'll know when I've had enough and can't keep up with the boys.
I had to drive with a roof in LMP2, and I managed to get used to that quite quickly - although it's still not a Halo, it's still different to what I'm used to.
Well, I was making a record, and I had to choose a name, because they said, you know, you can't make a record under the name of Reg Dwight, because it's never going to - you know, it's not attractive enough.
The record companies fell apart - quite deservedly. Their corrupting, all-binding contract nonsense had to stop.
Luther Vandross was doing fine, but he said, "Man, I want to do my own project." So he got us all to do a demo, and that demo was "Never Too Much." It took him a year and a half to get signed, because he didn't have a gimmick. The record companies were looking for his gimmick. They said, "What's your gimmick?" He said, "I sing. That's my gimmick." Anyway, he finally got signed and the record was released, and the rest was history.
I had a good record company right from the beginning, and I'm still with them after all these years. I think I may be the only person in the world that's had a tenure this long with any record company.
Well it's because the record companies are pumping away with their commercial stuff. I think it's a shame.
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