A Quote by Alex Morgan
I feel like I'm always looking to continue improving myself. I'm always looking to win. I'm super competitive, so going into the Olympics, I feel like that's nothing different.
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When I feel better looking in the mirror, it makes me feel more uplifted. I feel like what that image has been has shifted in different ways, and that's probably why I'm always changing: because I start getting bored, and I don't like feeling locked into anything.
When I was younger, I was just always looking for - you're always looking for this hot, so hot, like super-hot girl. And then, as I've gotten older, different things are really important to me, like just honesty. Being able to sit down and have a conversation.
There was a time in my 40s where I thought, oh, it's all over - not just work, but I'm never going to feel young again, I'm always going to feel like I know what's going to happen, I'll know what to expect. Looking back I don't know if that was a midlife crisis, I don't know - but I don't feel that now. There's possibilities. It gets better.
To play in the Olympics, to play for your country, there's nothing like it. You love doing it and I'm looking forward to it again. We're all looking forward to trying to win another gold.
I don't want to stand in front of a whole lot of fakeys. If I'm going to meet someone and say hello, I want to feel like I'm really meeting that person, not a masked version. I want to give that to people when they meet me. You don't have to like it. I'm not looking for you to like it; I'm looking to be myself.
I feel like my strength is surrounding myself with people who have an ear for things, and then they play it for me. I'm always looking; my ear is always open.
I feel like I have this different opportunity that not a lot of athletes may have. It's the fact that I'm Korean-American, and the Olympics are going to be in Korea, but I'm also riding for the States. I feel like I got really lucky that it got all pieced together - my first Olympics, being in Korea where most of my family is.
It's like, no matter what I do, I always feel like I'm five years old, and I end up in the back of my father's car looking out the window, and nothing has changed in 25 years.
I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
I don't like walking around with people thinking I'm doing uncool s--, because there's nothing I'm doing that's uncool. It's all innovative. You just might not understand it yet. But it's cool. Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and s--, is like super cool. Having someone that I can call Mom again. That s-- is super cool.
I feel like I'm sort of afraid to study too much because I feel like I work as I go, but I want to study the classics and also the technical aspects of things. I'm always looking to understand more.
To actually feel like you've done something good with your life and you're useful to others is what I was always wanting, and was always looking for.
Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.
As a transgender child, I was always looking around for someone like me, because I thought I was the only one. It's hard to feel like that. But having support from my family changed everything. They helped me love myself and embrace who I am.
We always joke now like, you know, the more experienced we get making stuff, we're like, "Never leave set without a shot of each of our lead characters driving in the car looking happy, looking moderately blank and looking sad." Because we know we're going to need these things.
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