A Quote by Alex Pareene
'The Newsroom' is phenomenally bad good TV. Sam Waterston and Jeff Daniels and Emily Mortimer are all terrific! So is the production, and the direction, and even the editing!
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On slower days, when I was only needed for coverage or reaction shots, the set of 'The Newsroom' was better than therapy. Chris Chalk and I would debate life's dilemmas... until Sam Waterston would chime in and set us both straight.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.
I'm a student. I want to do better, and I want directors who can find the actress in me and be my teachers. I'm interested in the whole process of editing, post-production and direction.
There are days I like going out, and days I like to sit naked with the remote control on my thigh, watching 'Breaking Bad.' I'm in love with that TV show. And 'Louie' on FX. And 'The Newsroom' - well, I don't know if I like it, but I'm obsessed with it. It's so Sorkin-y. But I've got some friends on there, so it's good to support them.
I love being Charlie Daniels for good, bad, or indifferent.
Good judgment comes from bad experience. Unfortunately, most of that comes from bad judgment. - Tara Daniels -
Reality TV finds talented people. There are no scripts. The editing is what it's all about. Great editing makes those shows.
I'm attracted to directors in general because I appreciate the work and the job they have to do. I watched the post-production, I watched the pre-production... post-production is something that I'm very interested in and I did spend a lot of time in editing rooms when I was young pretending to be sick.
Direction or even production doesn't fascinate me at all.
When I was a kid, people called me Emily rather than Esperanza, even though my full name is Esperanza Emily Spalding.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
I was sleeping in the woods one night after a gig we'd played somewhere, when I saw this girl appear before me. That girl was Emily. (on how he wrote "See Emily Play") "Chapter 24"-that was from the "I Ching", there was someone around who was very into that, most of the words came straight off that. "Lucifer Sam" was another one-it didn't mean much to me at the time, but then three or four months later it came to mean a lot.
Editing can alter the original meaning and context, and computers can alter the image itself. The camera can also be manipulated. At the very least, it must be turned in one direction - only one direction at a time ... Who chooses what direction to point the camera, and why?
I wish I'd done 'Dumb and Dumber.' I was offered the part, but I don't think I'd have been better than Jeff Daniels was. Another film I wish I'd done was 'Jerry Maguire.'
Bare," came her answer in a squeak. "Yes, we'd both have to be bare," he said with a laugh. "Not bare naked," she gasped. "Bear bear. Furry bear. Bear!" -Mortimer and Sam
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