A Quote by Alex Parks

I was always a bit reluctant with anything like fame and the limelight and it didn't sit very well with me, although I love singing and writing. — © Alex Parks
I was always a bit reluctant with anything like fame and the limelight and it didn't sit very well with me, although I love singing and writing.
I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.
I was into writing and directing. I was a bit of a reluctant actor. I would always ask friends to shoot or direct their movies, but then they'd want me to be in them.
Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.
My mother always accused me of being in love with the sound of my own voice. When we went on road trips, she'd be like, 'Stop singing. Be quiet, you're talking just to hear yourself speak.' It was probably true. I like to ramble on, which is probably why I'm well suited to interviews. You know, there's no other forum where you're literally supposed to sit down and just talk for hours about yourself. I love it.
I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'
A lot has to do with the writing. If you're the writer people seem to remember you. But my part is singing the high parts. It's not the limelight but I'm happy with it, even though writing is where most of the money is.
To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
I was always the one leading the way in terms of wanting to do acting, singing and dancing. I was lucky that my mother had a very well-adjusted perspective of the world and never pressured me to do anything I didn't want to do.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.
I'm an actor by choice and I love facing the camera. There's a little bit of exhibitionism in all of us. We like the limelight.
I would love to play, perhaps not exactly Mimi in 'Rent,' but someone like her. Perhaps not on Broadway, but I think I feel like a musical is in my future. I sing, although I'm not Whitney Houston up in here. I'm a little bit shy about my singing, but I did it in school at Juilliard.
I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
The love of fame is a love that even the wisest of men are reluctant to forgo.
I've always warned my clients about fame being very dangerous, and unfortunately, they need to be famous to make a living, but not to be flippant with it, that it could kill them, and to always keep their eye on it. There was no reason for me to do it. I don't make my money off fame, not my fame.
I love singing and performing. I'm always singing. Even if I'm at school or in the car, I'm always singing. My mom said ever since I could talk, I was singing.
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