A Quote by Alex Pettyfer
I think you have to be very secure as an actor to escape yourself - to revisit someones past, whether youre portraying another person or creating someone, and then to come back to who you are and not bring those emotions with you.
Related Quotes
I think you have to be very secure as an actor to escape yourself - to revisit someone's past, whether you're portraying another person or creating someone, and then to come back to who you are and not bring those emotions with you.
I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.
Whether youre working in corporate America or youre a journalist, construction worker, a teacher or an actor - were all trying to keep working. If one job is ending, you look for another job. When Psych ends, I will be looking for another job.
I think, at the end of the day, if youre a good actor, then youre a good actor.
Every person is so different and I dont think there is an exact match for every person. If you meet someone and they have 20 of the 25 things you want in a person, then youre pretty lucky.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
When you're portraying someone, whether they're real or fictional, you have to find some kind of hook where it feels real to you because if you don't believe it yourself, then no one else is going to believe it.
Often when someone comes to you and wants to vent, it's so tempting to start giving advice. But if you allow the person just to let the feelings out, and then at another time come back with advice or comments, that person would experience a deeper healing.
I think the contrast between these two in the professional world of cinema mattered to me. One who has reached the ultimate point of being a star, who knows how to do everything very well, facing another person who would throughout the making of the film transfer his anxiety to both of us, to me and to Juliette, as to whether or not he would be capable of fulfilling his role. This in itself created a challenge that was actually very good for me, since I hadn't ever counterposed two such performers before, creating that challenge between someone who knows their part and someone who doesn't.
The worst is when someone in your past trumps the person in your present, and you think to yourself: if I'd known this, then maybe I wouldn't have let him go.
It is so rare as an actor to be allowed the chance to revisit a role and to go back to a character that you already built, and lived inside, and understood. To take it further to another stage is a huge privilege.
When youre sharing a foxhole with another man, you don't worry about what color he is, just whether or not he will protect your back
You're always in a box, and you're an escape artist if you do what I do - or if you're a creative person, period. You build your box, and then you escape from it. You build another one, and you escape from it. That's ongoing.
You're in a very nice position as an actor when you're portraying a piece of history that actually happened and portraying characters that actually existed. There's so much more to draw on and your research as an actor becomes much easier than if it's some fiction that you're trying to create a world around and background and history.
I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
One of the first things I think young people, especially nowadays, should learn is how to see for yourself and listen for yourself and think for yourself. Then you can come to an intelligent decision for yourself. If you form the habit of going by what you hear others say about someone, or going by what others think about someone, instead of searching that thing out for yourself and seeing for yourself, you will be walking west when you think you're going east, and you will be walking east when you think you're going west.
Related Authors
Arnold Schwarzenegger Quotes
Austrian
Actor
Benedict Cumberbatch Quotes
English
Actor
Bruce Lee Quotes
American
Actor
Clint Eastwood Quotes
American
Actor
Daniel Radcliffe Quotes
British
Actor
Dwayne Johnson Quotes
American
Actor
Jeff Bridges Quotes
American
Actor
Johnny Depp Quotes
American
Actor
Kevin Hart Quotes
American
Actor
Kevin Spacey Quotes
American
Actor
Leonardo DiCaprio Quotes
American
Actor
Rob Lowe Quotes
American
Actor
Robert Pattinson Quotes
English
Actor
Sylvester Stallone Quotes
American
Actor
Will Rogers Quotes
American
Actor
Zach Braff Quotes
American
Actor