A Quote by Alex Prager
I never plan anything in an analytical way before I shoot, but when I look back there seems to be kind of a primary color palette.
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I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
As long as you work in a color palette and you style what you already have within that color palette, it's going to look good together.
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.
War never accomplishes anything. It's never going to look good in the history books. People are never going to look back and think, 'He started a lot of wars; what a great leader he was!' That's not the way it works. God knows how many more of these things we're going to need before it starts to sink in.
I'm not going to look back. 'Don't look back, something might be gaining on you.' I don't have anything specific in mind. I want to do what comes my way. No plans, no idea, I believe in things happening organically. Right now the plan is to wrap things up - we've got one more Abbie Hoffman Fest to put together - whatever happens after that is unknown. I'm not going to push anything beyond passive behavior.
I take every role seriously. Personally, I never look at any role as Michael White. I've done that my entire life. I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
The world is dyed with the color of blood. It will never be able to go back to the way it was before.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
Our analytical faculties allow us to look critically at our writing and interpret it. Sometimes we make bold, impulsive edits to our poems, but most forms of precision and economy in poetry, it seems to me, are signatures of the analytical mind.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Peace before everything, God before anything,
Love before anything, real before everything,
Home before any place, shoot before anything,
Style and state radiate, Love Power slay the hate.
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.
Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.
I shoot in black and white, sometimes color, sometimes if it looks good I shoot out the window of the airplanes or whatever, anything that - sometimes I secretly take secret photos, shoot video of people on the plane if it's not too crowded. I don't know, whatever comes up.
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