A Quote by Alex Riley

I thought that was fantastic. We were working on that the other night, actually. — © Alex Riley
I thought that was fantastic. We were working on that the other night, actually.
I don't know if my mum and President Kennedy ever dated, but they were friends and there are some letters from him that she kept - sweet and innocent letters saying, 'Saw you in the play the other night and you were fantastic.'
When I was four I joined a group of girls who were talking about their party dresses. I thought they were imagining, so I imagined a fantastic pink velvet dress with lots of jewels. But they were simply describing what they actually wore, and they had utter contempt for my obvious fiction. After that, I never joined a group again.
I thought architecture would offer a mix of the artful and practical. It seemed cooler than some of the other options in the university. The lights were on in the architecture school when I got out of rehearsal at night. And I thought the men were handsome.
The weird thing was that I went to Trump rallies thinking I was going to run into militant, right wing, racist people and mostly I didn't. That should have been a clue to me. The people I talked to were not, on the surface level, crazy. They were quite nice, quite normal, employed, and actually were wealthier than the press at that time would have led us to believe. At that time, the narrative was that these were all working poor but these were not working poor. That should've been a clue to me that this was a little bigger than I thought.
I've always thought that Boathouse Row looked best at night, when hundreds of electric lights outline the shape of each building, truning them into fantastic postcard themes. I knew, however, from many visits to Boathouse Row, that at the same time, armies of rats were holding maneuvers in the basements.
I really loved 'Fast Five.' I thought it was a brilliant movie. I thought it was so well done, well directed. The action sequences were really well thought out. It looked fantastic.
Working with my husband, I thought we would be at each other. As close as we are, our styles are so different. But it didn't happen - we were surprised.
When we built Amblin, we even put Murphy beds in there because we thought that was so practical. Why would anybody, if you were working on something, need to go home at night? You'd just stay there, wake up in the morning, and carry on.
The people I spoke to who were worried they would be killed for talking to me are now all ministers in the government. This is a major, major breakthrough. You have democracy actually working, the return of the rule of law, in an area of the world which was really tipping into the night.
There was no moon but the night sky was a riot of crisp and glittering autumn stars. There were streetlights too and lights on buildings and on bridges which looked like earthbound stars and they glimmered repeated as they were reflected with the city in the night water of the Thames. It’s fairyland thought Richard.
I think probably the moments of failure have been when I didn't really understand that other people were around to actually help me. There were moments when I thought I had to solve everything on my own, and I didn't realize that I had resources.
We had met with Ben Stiller here in LA when I was shooting The Ring and he was doing Meet The Fockers and we have friends in common. But we didn't know each other well. He's fantastic and we really had a great time on this and we were both laughing at where we were at, this other couple, and how it was mirroring what we were going through as well. It was clever writing in that way.
I DJ a lot of night events - sometimes I may work 3 nights a week, and some weeks I don't work at all; other times, I'm working every night.
I thought if people were going to talk about what I wear, wouldn't it be good if they were talking about who designed it, who made it and if that's a Scottish company, so teaming up with Totty Rocks has been fantastic.
The two things that I thought were really interesting about this character [Bow] for me were that she actually loved her husband, and he loved her. The comedy was not coming from the fact that they hated each other. Which is what television couples are usually based on.
I thought I'd have this fantastic bust and everyone would look at me and think I was amazing. After the operation I did feel fantastic: I'd put a bra on and I had a cleavage.
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