A Quote by Alex Scally

Art is what gets communicated at a live show, which is why live shows are so amazing. To communicate in a different way is a mixed message. It devalues everything. — © Alex Scally
Art is what gets communicated at a live show, which is why live shows are so amazing. To communicate in a different way is a mixed message. It devalues everything.
The best live shows I've ever been to were Green on Red live shows. Amazing live band.
The depth of this conflict, which is more than one hundred years old, requires us to find a way to communicate... so that the residents of the Middle East, Jews and Arabs alike, can live not as if they were forced to live together, but rather destined to live together.
Knowledge can be communicated, but not wisdom. One can find it, live it, be fortified by it, do wonders through it, but one cannot communicate and teach it.
My childhood memories are amazing; I had freedom in every way - but I see everything from a different perspective now that I live outside.
Otherwise the history just gets completely flattened out, and people imagine that everything was always available and accessible. One of the things that struck me was the way in which the landscape of experimental music seemed different at different points in time, on the basis of where one was situated geographically, if one had access to live performances, and what was released at a particular time.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
But this post-college world felt different from everything that had come before it; art was still central, but now everyone had to think about making a living too, and they did so with a kind of scorn for money except as it allowed them to live the way they wanted to live.
There are a lot of singers who cannot sing to save their lives. We have to accept it, but thank God there is such a thing as live shows. It's only when people are faced with live shows that the world gets to know how good or how bad they are.
I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too.
I love watching live shows from different artists from different stages of their lives. I'm always interested in the mastery of the live performance.
I feel my live shows are my music; everything blossoms from the live shows.
Art is the means by which we communicate what it feels like to be alive - in the past, that was mixed up with other illustrative duties, but that was still its central function that has been liberated in the art called modern.
I want to be a morning-talk-show host. I love Kelly Ripa's job. She gets to live in New York and has this amazing job hosting a talk show.
I really wanted to take the viewer to the 'here and now' regarding the exterminations, and communicate directly in a visceral way. The art of cinema can communicate that way, and that's why I wanted to do it that way.
The difference between doing a live show and a sitcom is that a sitcom can live on. If you do it well, it can leave a legacy, whereas most of our live work never gets repeated because it's final, it's done, you start again.
Players live a different life. They've been blessed. They live in a bubble and they live in a world where they get everything really. They've become film stars.
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