A Quote by Alex Scott
I like the way Frank Lampard articulates, like the fact Jamie Carragher really does his homework and the way Rio Ferdinand has been able to show his personality while giving those insights.
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I want people - boys and girls - to be sat at home watching me alongside the likes of Rio Ferdinand or Frank Lampard, thinking that it's normal, that we all know what we're talking about, and that they're not judging me at home just because I'm a female.
I really admire Zinedine Zidane and Frank Lampard. They are really skilful, and I like the way they shoot from distance.
When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help.
You don't show respect to Frank Sinatra and his great example by trying to sound exactly like him. You show it by sounding exactly like you, and that's the way jazz has always progressed as an art form.
The scientific man does not aim at an immediate result. He does not expect that his advanced ideas will be readily taken up. His work is like that of the planter - for the future. His duty is to lay the foundation for those who are to come, and point the way.
The best compliment we ever got about the show was from a Korean veteran who was unable to talk about his war experience with his wife until 'M*A*S*H.' While watching the show, he was able to lean over to his wife and say, 'See, honey, that's the way it was.'
The scientific man does not aim at an immediate result. He does not expect that his advanced ideas will be readily taken up. His work is like that of the planter — for the future. His duty is to lay the foundation for those who are to come, and point the way. He lives and labors and hopes.
You see a comic, and you're like, 'Oh wow: the Riddler has been drawn this way, and he's been drawn that way.' There are tons of looks, and his personality changes based on who's writing them.
For somebody like Kanye, fame is the fullest realisation of his art in a way. It's like an Andy Warhol dream or something. He's able to marshal all of these different artforms and media into his story, in this very layered, idiosyncratic way.
We had to support our player and genuinely felt, like Rio has said, that it was an honest mistake. It is important to know that Manchester United never said, and Rio Ferdinand never said, that a mistake hadn't been made.
His impression was that he had been imprisoned in a shelter deep down in the underworld of his personality, listening and biding his time while insanity rushed like spring flood through the upper layer of his soul, roaring and crashing, leaving terrible destruction in its wake, a deserted, ravaged country. No, he hadn't been crazy, but something inside him had been crazy.
To touch on people's lives [ in a way they ] haven't been touched on before, it´s fascianting. You know, it's one thing if [ a celebrity ] has an incredible character and you're really going to be able to delve into their personality – that's great. But you can never get real purity if people have been spoiled by the camera and don't trust you. I like feeling that I'm able to be a voice for those people who aren't famous, the people that don't have the great opportunities.
The First Man is [Albert Camus] posthumous last work. But in fact, in a certain way, it is his first, because in it you find the signs of his commitments, and of the whole way of writing as well. This mixture of austerity and sensuality, the will to speak for those not able to speak for themselves.
I had a lot of idols like Fernando Torres, Steven Gerrard, Jamie Carragher, and Xabi Alonso - all of them. I really looked up to them.
Like Frankenweenie is a story about a boy and his dog, Big Fish is the story of a father and his son, and all those conversations you can't have. It's universal, in a way that can go from one medium to another medium. That's been the funnest, figuring out what we can do in a Broadway show that's unique and special.
A gentleman can always be told by the way he speaks to those that he thinks are his inferiors in some respect. His equals he does not wish to offend, his superiors he does not dare to offend, and of those whom he considers his inferiors he would be all the more considerate.
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