A Quote by Alex Timbers
So much of the show [ Too Much Tuna] is improvisation, and I think that Nick [Kroll] and John [Mulaney] kind of catch each other at times, surprise each other. I think that really makes it a fun, sort of live, unique experience.
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I've worked on other shows where the sense is like, "Well, don't change it too much," you know? But on this one [ Too Much Tuna], Nick [Kroll] and John [Mulaney] - beyond being amazing performers - are also writers, and wanted to keep improving upon the show, particularly the play within a play. I think the writing just got funnier and funnier.
I think it all started with the tuna sandwich, and then, on the road, gearing up for New York, Nick [Kroll] and John [Mulaney] had the idea of having a tuna puppet, which became Tony Tuna, and their friend Cammi Upton designed that and did a great job.
I got an email from Nick [Kroll] that he and John [Mulaney] were looking to put on the stage show with two of their characters from Kroll Show and could I help at all. And they were doing it [off-Broadway] at the Cherry Lane and they had been performing it at UCB, just sort of testing it out. I worked on it for a little bit downtown and it was a great experience.
I think when you play with the same defence, you sort of understand each other's body language, and you read off each other, and it's much, much better.
When I got divorced, the first people I called were Nick Kroll and John Mulaney and T. J. Miller - all the pals.
If we could look into each other’s hearts and understand the unique challenges each of us faces, I think we would treat each other much more gently, with more love, patience, tolerance, and care.
Kids should speak to each other. They're horrid to each other online, they bully each other - they should shut up and stop it. The problem with social media is there is too much freedom. It's too much, too young.
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
My sisters, we didn't like each other as kids. We were scared of each other, I think, but we've grown to love each other. It was fun to write about these sisters who were supposed to hate each other but really don't.
I think today the players are too nice to one another, but that might change with the unbalanced schedule, with teams playing each other more and more. When you face each other that much, with that much at stake, something's bound to happen.
It's much more fun, I think, to watch something physical than just heads talking to each other. I like watching people fall down and push each other.
I love working with Erica [Durance]. She's so much fun. And I love how flippant, comfortable, and casual the relationship is. There is so much humor there, and they make each other laugh. It is obvious how much they adore each other. I really like that.
What we do too much of is, we talk about each other, we talk at each other, or we talk past each other. I have found that talking with each other is much more effective.
You realize how much the relationship when kids are young can suffer. And it's important to make sure that you are able to spend some time with each other. As a father, the best thing you can do for the kid is to love the mom. Even as a parent, I believe that loving the mother is the most important thing. And even parents who maybe aren't together I think that's important for them as well to respect each other and to be kind to each other, because I think it does so much in who they would pick to be around, or how they feel about themselves.
Really, when you get down to racism, in or out of the church, it's a heart issue. It's not a head issue. When we actually get to experience each other's ministry, and each other's struggle, and each other's pain, there's a much greater sensitivity.
Much of what happens in Love Always is really from overheard conversations in the Russian Tea Room. It's an improvisation of the way certain Hollywood agents think and talk to each other.
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