A Quote by Alex Timbers

I like musicals that look more like plays. — © Alex Timbers
I like musicals that look more like plays.
I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.
The only stuff I don't like are Broadway musicals. I hate them. I don't even like to talk about it. I can't bear musicals.
All the more a cheesy musical seems fake, so it requires a level of honesty to be injected or an acknowledgement of that which is fake and fun about musicals, and it isn't necessarily escapist. Like there are great musicals like Once, which feel very almost like a mumblecore musical. I love Once. It's great.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
I love film scores and opera, and I wanted to work in those forms. But theater was more accessible. And no one was doing this in the late 1970s, when I began working in the theater. So, I have written scores for thirteen plays, which are not musicals, but straight plays.
When I was growing up, there were so many musicals you could watch. I like the fantasy of musicals and I love music.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
Robert Duvall taught me years ago. He said, "You know theatre is not real. I don't like plays." You know, he doesn't like plays. And I agree with him in certain ways, you know. They can be fun. I don't mind going to see them. I went and saw Phantom of the Opera. I thought hey, that's cool. Look at the mask and all that.
When I was in college, I started an improv group, and I did a bunch of plays and some musicals. I have a theater degree. I'm a school person: I like getting homework and having deadlines. When I graduated, I worked right away as an actor.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
These doomsday warriors look no more like soldiers than the soldiers of the Second World War looked like conquistadors. The more expert they become the more they look like lab assistants in small colleges
These doomsday warriors look no more like soldiers than the soldiers of the Second World War looked like conquistadors. The more expert they become the more they look like lab assistants in small colleges.
Magic in plays and musicals, I think, is more often created because of the work of an incredible company rather than a single component.
What contributed to my writing early on is how my mom encouraged it. She kept the TV off because she wanted my siblings and I to be engaged and active. So we made forts, put on plays, musicals, and I wrote like crazy.
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