A Quote by Alex Tizon

The stories I work on, especially for any length of time, do tend to become personal to me. — © Alex Tizon
The stories I work on, especially for any length of time, do tend to become personal to me.
Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
When I work, I work very fast, but preparing to work can take any length of time.
There are plenty of meetings, receptions, dinners, and so if you are [at the U.N.] any length of time, and I was there for four and a half years, you formed pretty significant relationships with people from all over the world. And that's important to the work you do. If you're trying to rally the General Assembly to vote for something that matters to the United States, those personal relationships count.
A 300pp novel can easily become a 200pp novel by printing with smaller type; a 100pp screenplay can potentially become a film of between 60-140 minutes in length; a 200pp stage play could be performed in anything from 30 minutes to four hours. For all these media, the script length is agnostic to the final work.
Most players who've been around any length of time think of training camp as a time of hard work, frustration and monotony. But I can honestly say I look forward to it.
I like following whatever's right for me at any given time. I could have stayed with Free for 40 years, but it becomes a corporate entity after a while, and once I become locked into it and governed by it and am expected to do a certain thing all of the time, I tend to want to move on.
I think I was always writing books that had very clear scenic structures. I do tend to write in scenes. I do tend to have a fair amount of dialogue. And I do tend to use stories that don't sprawl all over the place, that have a very sharp focus in terms of how they unfold in time.
I tend to only be able to obsess about one thing at once, and become fully engaged in and only interested in that thing. But in the longer term, a lot of my stories also give birth to other stories.
Winning is based to a certain extent upon personal power. If you have enough personal power you tend to win. If you don't, you tend to lose.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
I just love to work and spend time with my family. And that's the reason I don't look at the length of the role, but what it has to offer me.
We create an image of happiness and success and then we are beholden to it. We tell ourselves stories and sometimes these stories become so strong as to imprison us. Breaking free from our personal fortresses is a long, hard journey, but ultimately what allows one to grow.
You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
Writers tend to write stories as a kind of holiday between novels, or as preliminary steps towards a novel. Stories just don't often make up a writer's main body of work, and that's not because they don't see the market for it.
I don't have any personal memories of the broadcast of 'Civilisation'. I was born the year afterwards. But the many personal stories I have heard from the people it touched do resonate as I had my own television-induced epiphany.
It's hard no to work, so I find a way to put myself back to work. And I think it's important, in between projects, for me to sit down with who I've just become and allow her to continue to evolve and find a home inside me before I go and become somebody else. But I think I also need to learn to relax and not prepare too much, just enjoy life. I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
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