A Quote by Alex Webb

I'm always playing along that line: adding something more, yet keeping it sort of chaos. — © Alex Webb
I'm always playing along that line: adding something more, yet keeping it sort of chaos.
It's not just that that and that exists. It's that that, that, that, and that all exist in the same frame. I'm always looking for something more. You take in too much; perhaps it becomes total chaos. I'm always playing along that line: adding something more, yet keeping it sort of chaos.
No matter how solid or structured or set you think you are, there is, you know, a very thin line keeping us all from sort of chaos, in some perspective. And you know, I don't view that really as a negative thing at all, but it just is the truth.
I just write what I want to read, and sometimes keeping it interesting means adding one more element that ends up adding another year to the work.
The older I get, the more I like the idea of utilitarianism. I think that I'm not a trend-driven person. I really believe in keeping your canvas very basic and sort of adding the accouterments from there. I look at creating intrigue with outfits through accessories.
I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.
I really believe in keeping your canvas very basic and sort of adding the accouterments from there. I look at creating intrigue with outfits through accessories.
The doctrine of evolution implies the passage from the most organised to the least organised, or, in other terms, from the most general to the most special. Roughly, we say that there is a gradual 'adding on' of the more and more special, a continual adding on of new organisations. But this 'adding on' is at the same time a 'keeping down'. The higher nervous arrangements evolved out of the lower keep down those lower, just as a government evolved out of a nation controls as well as directs that nation.
I don't give advice, because I always made my own mistakes and would only be adding further chaos to the situation.
Each gig should be unique. You're always treading that line between keeping yourself fresh and giving people something they want to hear
Each gig should be unique. You're always treading that line between keeping yourself fresh and giving people something they want to hear.
I started directing chamber orchestras, then adding bigger pieces, adding winds, adding small symphonies. I've always loved chamber music, and I've done a lot.
Even though I'm usually not conscious of it, I think drawing has always served a sort of therapeutic purpose in my life. There's something about the process of translating the messy chaos of real life into a clean, simple drawing that's always been comforting to me.
Chaos is not disorder. Chaos is the totality of existence. You could call it God. You could use the term, the Tao. I like chaos. It means more to us in English. Chaos is all things, wild and wonderful, connected perfectly by the life force.
If anything, even though I can play in the sort of standard string-bending style, in the B.B. King mold and all of that, I've always had a great interest in the more primitive playing, the open chord playing, rhythm and figures.
I don't love CDs more than anything else, but I was just playing around with the idea that they could be something you're momentarily keeping hold of as everything is passing by.
Obviously I would never have agreed to be a part of something that would change the colour of my skin had I been playing a human. The bottom line is, I'm playing a cat. There is no more discussion. I am a cat that's white, let's not read into it.
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