A Quote by Alex Weisman

I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
What brought me to L.A. was work! I moved to Chicago after college - I went to Kalamazoo - did my nerd thing, graduated, and moved to Chicago to pursue improv.
Growing up in Chicago, I was a theater nerd. That might be very cool on the East Coast, but in Chicago, it's really the athletes that come in No. 1 on the cool scale. Maybe musicians after that. Community theater? That's way down the list, my friend.
I know that James Brown recording where he sings about Chicago. I think he sings, like, 'Chicago, my hometown!' That's what I think of when I think of Chicago. And I think of Chicago Bulls.
My character started off on 'Chicago P.D.' as the brother to Detective Jake Halstead, and then I also played on 'Chicago Fire.' So, I really worked on both shows before 'Chicago Med' even started.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
I majored in theater in college. I did a couple of plays in high school, and I really enjoyed it, so I went to Illinois Wesleyan University and got a degree, and then I went back to Chicago and started doing theater in all the companies around the city for about 11 years before I moved out to L.A.
I had no particular image of Chicago in mind when I wrote 'My Kind of Town.' All I wanted to do was write a song in praise of Chicago, and that's what I did.
I'm a huge fan of Chicago sports and Chicago food, and I love going home and my family is still there. I guess it's pretty easy to have a normal life in Chicago.
I am both delighted and honored to return to the University of Chicago as a Distinguished Senior Fellow and embark on this new journey with the students, faculty, and wider Chicago community.
I think my experience at the University of Chicago, working in the civil rights movement, working in the peace movement, working with community organizations, did a lot to influence the politics that I have.
Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.
Anybody who has been to Chicago has a very positive view. But not everybody has come to Chicago, and in many ways, Chicago is an undiscovered treasure. It punches below its weight internationally.
I started off at the Second City in Chicago... It's an improvisational theater that ostensibly does social and political satire, but when I was there, we generally didn't. We did character work, and we did just the silliest things we could think of. We weren't all that concerned with, you know, changing the world through mime.
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