A Quote by Alex Winston

Growing up, I never listened to English music. I was more into Motown, as well as early rock n' roll like Chuck Berry and Little Richard. — © Alex Winston
Growing up, I never listened to English music. I was more into Motown, as well as early rock n' roll like Chuck Berry and Little Richard.
I grew up listening to a lot of that stuff, Motown and Stooges. But also early rock-and-roll like Chuck Berry, Little Richard, Jerry Lee Lewis, and Elvis Presley. I feel like as I grew older, I've been working with different musicians, people that have are constantly showing me different things.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
When the fearsome foursome of rock music, Chuck Berry, Bo Diddley, Little Richard, and Jerry Lee Lewis, decided to show up in Toronto for a rock and roll festival, I knew we had to go there to try to get them all on film.
Growing up in Middlesbrough [in England], I listened to artists like Chuck Berry, Little Richard, and Howlin' Wolf. It was like another world. Something happened to me when I heard that music. It leapt out of the speakers and went straight into my heart. And I thought, "Right, that's what I'm doing."
Blues is a big part of rock and roll. The best rock and roll got its birth in the blues. You hear it in Little Richard and Chuck Berry.
Rock n' roll sounded like music from another planet. The first time around, we had people like Elvis, Little Richard, Chuck Berry, Jerry Lee Lewis - all them people.
We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
I plug into a lot of old rock & roll. Chuck Berry, Buddy Holly, Little Richard, Jerry Lee Lewis - I love all that stuff.
Rock and roll came into my life when I was about 12, 13, when Little Richard and Chuck Berry had just started hitting the shores of England.
Music is everybody's possession. It's only publishers who think that people own it. If you were going to give Rock 'n' Roll another name you might as well call it Chuck Berry. We're more popular than Jesus now; I don't know which will go first - Rock and Roll or Christianity.
Buddy Holly had something very different from the other great early rock n' roll stars, whether it was Chuck Berry, Elvis Presley, Little Richard, Bo Diddley. He came across as so ordinary, as such a nerd. You know, he was a big guy, and he carried a gun. He was anything but a nerd.
Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
Of all the early breakthrough rock and roll artists, none is more important to the development of the music than Chuck Berry. He is its greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers.
I watched Elvis Presley become - I listened to Elvis Presley. I watched Chuck Berry become. I listened to Little Richard. I heard that music, and it was part of my upbringing.
My all-time favorite rock and roll players were Scotty Moore, Chuck Berry and Franny Beecher, and I listened to the country playing of Merle Travis.
There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
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