A Quote by Alex Winston
I hate saying I'm a new musician, because I've been doing this forever, but they like to put new musicians on a lot of weird bills.
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Ideal date is doing something new, either hiking a new place I've not been, or learning something weird and new like pottery.... and then a meal.
I think the people who are saying jazz has to sound a particular way, or "what you're doing isn't jazz," are just scared because they can't do it. A lot of them just aren't talented enough to do anything new, honestly. It's the people who are talented enough and who have the open mind and who are forward-thinkers are the ones who are doing something new. You tend to hate on what you can't produce.
If we had decided on January 5, in the new House of Representatives, to make no new spending bills, the debt ceiling would've still been hit, because, those are bills that are coming in as a result of purchases and commitments made by the administration and the previous Congress.
Being a classical musician I'm fascinated with how my colleagues, not just singers, but every musician finds ways to express something else or something new or the same ol', same ol' in classical music. I'm always in dialogue with other musicians at least orally, if I can't be with them and a lot of dead musicians as well. I've learned a lot from dead people on recordings.
Rooney was like marrying a high school sweetheart. And then you're like, 'I think we need some time to see other people,' and those other people are new musicians. Starsystem is like a new marriage with new musicians.
When I hear music that parents hate, or older musicians hate, I know that's the new music. When I hear older people saying, 'I hate Rap or Techno' I rush to it.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
I hate those articles - this is a pet peeve of mine - like move over X, here's the new Y. And it's just like, X didn't become obsolete because there's a person doing a similar thing. You also don't have to be like the new old-thing, you're just the current you-thing.
I started playing in my first band when I was 12. I like to date myself by saying I was in a New Age band when it wasn't ironic; it was actually called new wave because it was new.
It's like saying French shouldn't be taught because you don't understand it because it's new. Shakespeare is just like learning a new, exciting language.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
I made the decision (that), if I was gonna do this, I was gonna do it 100% because before in my life I had been an entrepreneur. It was weird. I would wake up in the morning (saying) "You know what? I'm gonna do this." (I'd) set out (and) in three months (I'd) have a new business on its way. I didn't stop and think about the repercussions of anything. I just did it. I moved forward in doing it to succeed.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
It keeps me in touch with younger musicians who are constantly saying, 'Have you heard this new artist, or this new guitar player?' It keeps you reaching.
I've always been intrigued by color and by interesting hair. I was one of those weird little girls doing my own hair at the age of 9. I was, like, getting weird gels and new brushes and cornrow holders. I would tweak and perm at the age of 13.
Everybody always wants to meet musicians. You can go to any random bar around the world and be like, "I'm a musician," and they'll have something to say to you. It's kind of this weird passport where you can go around and as soon as you say you're a musician, you're welcome.
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