A Quote by Alexander Armstrong
I love doing children's TV. You get such extraordinarily positive feedback from your audience too.
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The only real satisfaction is live performances. That's when you can actually get some feedback from what you're doing. You get that artist-to-audience chemistry. I love it!
The stage is bigger than life. There you are projecting to an audience. In television, you're drawing the camera in to you. And with TV, there isn't that immediate feedback from an audience. You do hours and hours of taping and never get that response.
The show [ Too Much Tuna] changed a lot, actually, which is risky when you get positive critical feedback.
If you don't get feedback from your performers and your audience, you're going to be working in a vacuum.
Most of life is on-the-job training. Some of the most important things can only be learned in the process of doing them. You do something and you get feedback - about what works and what doesn't. If you don't do anything for fear of doing it wrong, poorly, or badly, you never get any feedback, and therefore you never get to improve.
The truth is there's so many great TV shows out there now that none of us take absence of awards personally. The most important feedback is the feedback we get from the fans.
I love Twitter. Twitter for me is twofold. I can use it to get out important information about charity stuff and where Im going to be, and I can get feedback from the audience which I love.
The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
No one reads my books until they're finished because I don't want feedback. It confuses me, and it changes things; if I get too much feedback, I get thrown off my path.
When you write, you put your thoughts in the public space. You get both positive and negative feedback.
When you're doing stand-up, you achieve an intimacy with the audience you can't get on TV. There's not a better feeling in the entire world then when you look out and see the audience is identifying with you.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
Initially, I had started doing theater, where the actor has a direct relationship to the audience. So, moving into film and television disconnected me. When you do a film, you start to get the character, and then it disappears for a year before it's released and you get feedback.
When you're filming any show off a live audience, you get a feedback straightaway about how it's going, and the audience always enjoyed it.
I enjoy it all: performIng, doing TV, movies, comedy, drama, stand-up, animation voicework, singing, but you get that instant gratification from stand-up because it's your own commentary and you get to see the reaction from the audience that's right there in front of you. I also love coming up with characters and watching people embrace them and enjoy them.
But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.
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