A Quote by Alexander Chee

I had been in a professional boys' choir, and as a boy soprano, you're aware that your voice has an expiration date. — © Alexander Chee
I had been in a professional boys' choir, and as a boy soprano, you're aware that your voice has an expiration date.
My high-school a cappella teacher would embarrass me in front of the choir. 'Mavis, you're in the basement. Mavis, you're singing with the boys.' I said, 'Mr. Finch, my voice isn't soprano. I can't sing up there with the girls.' So I just got out of the choir.
Shortly after this I was made a member of the boys' choir, it being found that I possessed a clear, strong soprano voice. I enjoyed the singing very much.
Shortly after this I was made a member of the boys choir, it being found that I possessed a clear, strong soprano voice. I enjoyed the singing very much.
My interest in women's voices started when I was in the boys' choir and we were singing in opera choruses. That was my first close-up experience with the female soprano voice. I was amazed at how it could be within the same scale but so different in quality.
I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
I try to bear pain and not panic. I try to remember that it's got an expiration date, even if I don't know when that expiration date is. And I try to use it as fuel for my work.
My grandad was an opera singer, my uncle a jazz musician; I was a boy soprano in the church choir. But the first performance with Deep Purple was something I'll never forget. All elements were working brilliantly.
Three things Marco taught me today race through my mind: boys will lie to your face just to have sex with you, don't trust any boy who says I love you, and never date a boy who lives on the south side of Fairfield.
I've been adapting ever since my oldest had her first play date with a boy, and I was like, 'That's not normal,' because I came from the old school. Now boys sleep over at my house. It doesn't matter which girl, which age.
In high school, I was Mr. Choir Boy. I had solos, I was helping out the tenors with their parts and our choir teacher would ask me what songs we should do.
I started out in a professional choir at 13 years old. We traveled to different places, and I had a close relationship with the leaders of our choir. We were recording when I was 15, so it wasn't like I had to wait until 25 to find out certain things.
As a boy soprano in the high school choir, I later sang a solo during the carol service at Canterbury Cathedral, but I was too young to secure the Freddy Eynsford-Hill role in our production of 'My Fair Lady' - and far too timid to have thought to audition for it.
The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
I told her I knew when I was going to die because my birth certificate had an expiration date on it.
I guess my first professional experience was when my church choir director told my mother that I had a gift with my voice and said that I should think about auditioning, at 11 years old, for the chorus of our regional opera company.
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