A Quote by Alexander Chee

My literary heroes were mostly women writers and thinkers - Joy Williams, Joan Didion, Anne Sexton, June Jordan, Sarah Schulman, Audre Lorde, Cherrie Moraga, Christa Wolf - and much of this writing was political as well as literary.
All my big heroes are literary, writers.
My literary heroes all wrote about L.A.: Joseph Wambaugh, Ross Macdonald, and Raymond Chandler were the three writers that made me want to be a writer.
The Night Journal received two awards that I'm terribly proud of - -the Spur from Western Writers of America, and the Willa Literary Award from Women Writing the West. Both these groups are filled with great writers and good people.
I love anything by Joan Didion. Incidentally, she was one of the local moms when I was growing up in Point Dume. She always reminded me a little bit of my mother, so I feel a great affinity. I love the precision of Didion's writing. There's a construction and a craftsmanship to her sentences that's imbued with so much emotion.
I'm so old that when I started keeping a diary they were in actual books, and I think that's one the reasons that I've never written about sex. Because early on you had to worry that someone was going to find your diary, so it's bad enough to be writing like Joan Didion, but writing like Joan Didion about sex acts you'd performed with somebody you had known for 20 minutes, that's a bit worse. So I would write in my diary, "I met J. and we had sex five times last night." But I would never write about what we did.
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
When Nancy Reagan was newly the first lady of California, Joan Didion came and had an hour-long interview. She thought it went great, and then Joan Didion just eviscerated her in the most - possibly not inaccurate - but in the most devastating way.
it never really occurred to her that literary men, if they like women at all, do not want literary women but girls.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
I’m not club-able, you see. I don’t like literary parties and literary gatherings and literary identities. I’d hate to join anything, however loosely.
Actually, my first literary heroes were the Romantic poets, so I began to get serious by writing poems. I have notebooks full of them that I cherish but am afraid to look at.
I came into science fiction at a very good time, when the doors were getting thrown open to all kinds of more experimental writing, more literary writing, riskier writing. It wasn't all imitation Heinlein or Asimov. And of course, women were creeping in, infiltrating. Infesting the premises.
My parents were reasoned and deep thinkers. My dad is an intellectual and a literary man.
Creatively, most of my influences come from the literary world: Alice Walker, Toni Cade Bambara. Writers are my heroes.
Women need to become literary "criminals," break the literary laws and reinvent their own, because the established laws prevent women from presenting the reality of their lives.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
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