A Quote by Alexander Chee
When I'm identified as a fiction writer at parties, the question comes pretty quickly. 'Did you go to school for it?' someone asks. 'Yes,' I say. 'Where?' they ask, because I don't usually offer it. 'I went to the Iowa Writers' Workshop,' I say.
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I went to graduate school in Iowa City, at the Iowa Writers' Workshop, where the most passionate thing I did was attend University of Iowa basketball games.
When I say that I went to grad school in Iowa City, people often assume that I went to the famed writers' workshop MFA program at the University of Iowa. I didn't. I got a master's in journalism.
In my opinion there are two basic questions that any writer tries to answer. "What is?" is the question non-fiction asks. "What if?" is the question fiction asks. That's the question I'm more interested in.
When someone asks you the question 'Are you ticklish' it doesn't matter if you say yes or no, cause they're going to touch you. If someone asks if you're ticklish and you don't want to be touched you should something like 'I have diarrhea, now don't touch me cause you'll make it come out... and yes I'm very ticklish'.
I went to school in California, at Stanford when I was seventeen, and I lived in San Francisco until I was twenty-three, and then I lived in Hungary for, like, a summer, and then I went to Iowa for three years. At Iowa, I actually did the fiction program, not poetry. I was a fiction writer for a long time before I was 'out' as a poet.
I'm an ecumenical reader, grew up with all sorts of fiction, teach writing, went to the Iowa Writers' Workshop, so my tastes and interests are broad.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
In China, people only talk to make a point. You ask someone to go to lunch. They say yes or they say no.
I've been in so many writing workshops where someone hands in a story, and when the other writers in the workshop are giving feedback, they say, 'This is unbelievable.' And the writer says, 'Well, actually, the events are based in real life. This actually happened.'
Did you know you can take your bus anywhere you want to go? Say yes three times with me. Yes, yes, yes. You can take it to the movies, the beach or the North Pole. Just say where you want to go and believe that it will be so. Because every journey and ride begins with a desire to go somewhere and do something and if you have a desire then you also have the power to make it happen.
I don’t hate redheads! The millionaire men - wealthy men - never pick them. Every time I offer them they say no. I could say the most gorgeous redhead in the world and they’ll say no, they don’t want it. Now if you ask an Irish guy in Ireland, he says yes. Because that’s indigenous to that country.
I don't hate redheads! The millionaire men - wealthy men - never pick them. Every time I offer them they say no. I could say the most gorgeous redhead in the world and they'll say no, they don't want it. Now if you ask an Irish guy in Ireland, he says 'yes,' because that's indigenous to that country.
As with the subjects in all of my films, the incentive is left to the subject to determine on their own. I never ask someone why they say yes to me. After all, if you invited someone to join you for dinner, and they accepted your invitation, your next question wouldn't be, 'Why are you saying yes?'
When I was studying at the Iowa Writers School, I read a sports writer, Ron Maly, from the Des Moines Register. He was a good sports writer. I became real interested in the contrast between Lute Olson, who was the coach of Iowa at the time, and Ron Maly.
In Chicago, if you tell someone you're a writer, they look at you suspiciously - as if to say "yeah, right." In New York, people don't question the idea. If you say you're a writer, that's what you are.
When I was a graduate student at the Iowa Writers' Workshop for fiction writing, I felt both coveted and hated. My white classmates never failed to remind me that I was more fortunate than they were at this particular juncture in American literature.
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