A Quote by Alexander Cockburn
England in the late 1940s was famously grim. As I remember it, London back then was a very dirty place, from coal dust and smoke, from the grit stirred up every day by the jackhammers still clearing out rubble from the Blitz.
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Coal used to be a very dirty fuel but coal has become cleaner and cleaner over the decades. Clean coal now is quite clean. Clean coal now has the same emissions profile as natural gas. Clean coal can become cleaner still. We can take even more of the pollutants out of coal and I believe we should. Clean coal, I think, is the immediate answer to Canada's energy needs and the world's energy needs. There are hundreds of years available of coal supplies. We shouldn't be squandering that resource. We should be using it prudently.
I can just remember the blitz of Manchester, or perhaps my father's tales about the blitz of Manchester. I can remember the blackout, the powdered eggs, and the gas masks. But I think no British person should pretend that being resident in England could count as being in the thick of the action.
A mighty mass of brick, and smoke, and shipping, Dirty and dusty, but as wide as eye Could reach, with here and there a sail just skipping In sight, then lost amidst the forestry Of masts; a wilderness of steeples peeping On tiptoe through their sea-coal canopy; A huge, dun cupola, like a fools-cap crown On a fool's head - and there is London Town.
I'm old enough to remember when the air over American cities was a lot dirtier than it is now. You've probably never woken up early on a winter morning to the acid stink of coal smoke in the air, which was everywhere when I was a little kid. My grade school was heated with coal. Not only was coal used to generate electricity, it was without any scrubbers in the stacks.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
I heard more of the stories from my mother and my granny and my aunts that would describe what they had known that he didn't often talk about. I remember seeing [grandfather] as a child. He was working in a mine that was fairly close to their home there in Betsy Lane, Ky., and it was so close in proximity that he wouldn't clean up or shower there. He would just drive back home. And I remember one time seeing him come in and it was like seeing an alien person show up because he was still covered in coal dust and soot, and it had a profound impact on me.
Tragedy blows through your life like a tornado, uprooting everything, creating chaos. You wait for the dust to settle, and then you choose. You can live in the wreckage and pretend it's still the mansion you remember. Or you can crawl from the rubble and slowly rebuild. Because after disaster strikes, the important thing is that you move on. But if you're like me, you just keep chasing the storm.
Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.
Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna. I'll be naked for sure, I think. 'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna. Naked and covered in black dust, i think. 'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.
[Commuting by bicycle is] an absolutely essential part of my day. It's mind-clearing, invigorating. I get to go out and pedal through the countryside in the early morning hours, and see life come back and rejuvenate every day as the sun is coming out.
I am a smoker, I'm ashamed to say. I had given it up for many years, then picked it up again. It's a horrible habit. I struggle with myself all the time. And I love to smoke. An actor has to be very, very careful, as one of the most wonderful props - and actors love props - is a cigarette. There's so much to do with it: you can bring it up to your face, play with the smoke. It's just the greatest - ever since I was 16 and in acting school in England, I've been playing around with cigarettes.
I move countries every three or four years. I was born in London, and we lived in Canada. Then we lived in Saudi Arabia until the Gulf War broke out, when we were forced to leave. Then we hop-scotched for a while from Holland back to Canada back to Saudi Arabia. Then there was D-day, so we had to get out again.
I was very young, but I just remember going to school every day in England, which I didn't enjoy. Every day, as soon as the bell would ring, we would go out and be on this little - it looked like a basketball court, but it was a soccer court with goals and a hard floor.
I was born in London, England during the great fog of 1952, but survived the coal-fueled air pollution with no ill effects and after less than a year in England was carried to Canada by my parents.
I was at my house in Paris, having a day off, when I got a phone call from Arsene Wenger - he asked if I'd come back to London for a medical. I woke up at 9 A.M. on transfer deadline day, jumped on a train, got to London, but then it never happened.
I like finding things out beforehand, because I'm nervous in disposition, and I worry that if I don't do anything, then I'll turn up and I still won't really have a sense of it, and it might be too late. So I like to get things as organized as I possibly can in my own head, to apply myself to the work before arriving to a late-in-the-day rehearsal, or in extreme cases, the first day on set.
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