A Quote by Alexander Dreymon
On a personal level, I don't exactly thrive on the idea of being known as the guy who goes topless - because I also took my shirt off on 'American Horror Story: Coven' - but I think in 'The Last Kingdom,' it's mainly done in the right way.
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I don't want to be known as the guy who always takes his shirt off... I've done a lot of photo shoots lately for the press coming up with 'Immortals' and 'Breaking Dawn,' and every photographer wants to get the topless shot. We've really had to be choosy and not do that for every magazine. I've actually been trying to keep my clothes on more.
There's one scene where I took my t-shirt off. I was wearing a t-shirt and a hoodie, and I took my hoodie off and took my t-shirt off to give to the girl because she got her top dirty or something. It was like, why don't I just give her my hoodie - that makes no sense whatsoever! I just took off another layer just to take my top off.
I don't want to take off my shirt and roam topless all the time, just for the heck of it.
Oprah is just this goddess presiding over so much of American life, and her story is really interesting - the way she made herself, and the ruthlessness it took, and also the fantasizing that it took.
To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
I got my first tattoo when I was 19. The one on my shoulder is an eagle. I'd go to the beach, and I'd take off my shirt, and I'd almost feel self-conscious because nobody out there had tattoos except my buddies, the guys who rode motorcycles. American-made bikes, mainly.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
Horror used to be one thing, and I think that's starting to broaden - there can have subgenres, and other things can be going on in a horror story. In comics, you'll never get the 'Boo' effect in a comic; you can go for mood, atmosphere and personal tragedy to build the horror elements and sense of dread.
On a certain level, I don't think there is an answer to what the American way is, because it is constantly being re-defined. It's also been exploited and capitalized upon and politicized by one side or the other to the point that a certain degree of cynicism has attached itself to that term.
The Rock was one of my favourite comedy characters growing up, and I still think he is. Mainly because he took himself so seriously by being ridiculous and a buffoon all the time but always took the high status.
I think all the characters in 'American Horror Story,' which is why I love it, are looking for some sense of meaning, and also it's their form of happiness.
We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.
I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it?
I think metal and horror definitely go hand in hand. Even when you go to a horror convention and meet the fans, nine out of 10 times if they're not wearing some sort of horror shirt, they're wearing a shirt with a metal band on it.
'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.
Interactive storytelling emphasizes a personal connection with the characters. It is a powerful tool that can draw you so deeply into the world of a story that you lose sight of it as a story. You think you are there - at least, if it is done right.
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