A Quote by Alexander Grothendieck
Among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other, and continues to fascinate me, is the structure hidden in mathematical things.
Related Quotes
If there is one thing in mathematics that fascinates me more than anything else (and doubtless always has), it is neither "number" nor "size", but always form. And among the thousand-and-one faces whereby form chooses to reveal itself to us, the one that fascinates me more than any other and continues to fascinate me, is the structure hidden in mathematical things.
Structure is one of the things that I always hope will reveal itself to me.
Malacca fascinates me more and more daily. There is, among other things, a mediaevalism about it. The noise of the modern world reaches it only in the faintest echoes; its sleep is almost dreamless. Its sensations seem to come out of books read in childhood.
If the system exhibits a structure which can be represented by a mathematical equivalent, called a mathematical model, and if the objective can be also so quantified, then some computational method may be evolved for choosing the best schedule of actions among alternatives. Such use of mathematical models is termed mathematical programming.
I can't see America any other way than with a European's eyes. It fascinates me and terrifies me at the same time.
If we only look around us, there are a thousand reasons for us not to be happy, and it is simplicity itself to blame our unhappiness on the things we lack in life. It doesn’t take any talent at all to find them. The problem is, the more we focus on the things we don’t have, the more unhappy and more resentful we become.
The heart has its reasons of which reason knows nothing. We feel it in a thousand things. I say that the heart naturally loves the Universal Being, and naturally loves itself; and it gives itself to one or the other, and hardens itself against one or the other, as it chooses...it is the heart that feels God, not the reason; this is faith.
Faces are the most interesting things we see; other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is the face. It tells all.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
I like to write about things that fascinate me because I believe that they will also fascinate my readers as well.
We feel certain that the extraterrestrial message is a mathematical code of some kind. Probably a number code. Mathematics is the one language we might conceivably have in common with other forms of intelligent life in the universe. As I understand it, there is no reality more independent of our perception and more true to itself than mathematical reality.
The most abundant hue in nature, the human eye sees more green than any other color in the spectrumas it has throughout history, multifaceted emerald continues to sparkle and fascinate. Symbolically, emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today's complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors.
Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a morecalculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.
I have to admit that more and more lately, the whole idea of jazz as an idiom is one that I've completely rejected. I just don't see it as an idiomatic thing any more...To me, if jazz is anything, it's a process, and maybe a verb, but it's not a thing. It's a form that demands that you bring to it things athat are valuable to you, that are personal to you. That, for me, is a pretty serious distinction that doesn't have anything to do with blues, or swing, or any of these other things that tend to be listed as essentials in order for music to be jazz with a capital J.
Within itself the soul sees all things more truly than as they exist in different things outside itself. And the more it goes out unto other things in order to know them, the more it enters into itself in order to know itself.
When one has reached maturity in this art, one will have the formless form. It is like the dissolving or thawing [of] ice into water that can shape itself to any structure. When one has no form, one can be all forms; when one has no style, one can fit in with any style.
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