A Quote by Alexander Hanson
'The Sound of Music' is set in 1938 in Austria at the time of the Anschluss.
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Germany neither intends nor wishes to interfere in the internal affair of Austria, to annex Austria, or to conclude an Anschluss
In 1938, after Austria, our universe had become accustomed to inhumanity, to lawlessness, and brutality as never in centuries before. In a former day the occurrences in unhappy Vienna alone would have been sufficient to cause international proscription, but in 1938 the world conscience was silent or merely muttered surlily before it forgot and forgave.
Austria was the last country in Europe to ever put the stage show of 'The Sound of Music' on.
It was in 1590--winter. Austria was far away from the world, and asleep; it was still the Middle Ages in Austria, and promised to remain so forever. Some even set it away back centuries upon centuries and said that by the mental and spiritual clock it was still the Age of Belief in Austria. But they meant it as a compliment, not a slur, and it was so taken, and we were all proud of it. I remember it well, although I was only a boy; and I remember, too, the pleasure it gave me.
I have on the one hand a hatred and on the other a yearning for Vienna. I left when I was nine years old because I was Jewish. And even before 1938, the anti-Semitism in Austria was probably deeper than it was in Germany or in other European countries.
American Christians have been woefully silent on important issues. I am an American citizens now, and I love this country, but I see symptoms in the United States that I saw in Austria in 1938 when the Nazi Germans were terrorizing Europe.
The National Socialist Party in Austria never tried to hide its inclination for a greater Germany. That Austria would one day return to the Reich was a matter of course for all National Socialists and for true Germans in Austria.
Austria used to see itself as the first victim of National Socialism. That is certainly true for all those who fought in the resistance, whom we cannot thank enough, and who will always be shining examples. But... the ones who stood in such great numbers and celebrated in March 1938 in Heroes' Square were no victims.
Music is not sound. Music is using sound to organize emotions in time.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.
In 1938... the year's #1 newsmaker was not FDR, Hitler, or Mussolini. Nor was it Lou Gehrig or Clark Gable. The subject of the most newspaper column inches in 1938 wasn't even a person. It was an undersized, crooked-legged racehorse named Seabiscuit.
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
I wasn’t thriving socially, so I stayed in my room and played guitar all the time, at the time, I thought I was inventing a new sound that would change the whole outlook of music. I’ve discovered in the last few years that it was just the Seattle Sub Pop sound.
You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
That Germany was so immensely strong and Austria so dependent upon German strength that the word and will of Germany would at the critical moment be decisive with Austria.
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