A Quote by Alexander Koch
When I first went to college, I went to Western Michigan. I had been rejected by a bunch of schools for theater. I was like, 'I'm obviously not cut out for this, so I might as well just go into film.'
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I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
I'm a product of state schools. I had a working-class family. We had no books. I was the first to go to college. But I didn't really think about it, or about making money. I was just going to be an artist, and I've been fortunate. I've never had to work for anybody nor have I had to write for money. Maybe that's another reason that I've been able to be productive. I haven't had to use my writing to make a living.
I got to college and saw all of my friends going to these other schools and thought, 'You know, college is just a blank slate.' And I had an opportunity to go to different schools, but I chose Brown because it was unique and allowed you to be yourself as an individual and like I said, it's a blank slate.
'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia.
I saw an early cut of 'The Disaster Artist,' and I thought it was inspiring in a lot of ways, and it made me realize it had been so long since I had tried to make a film or to try to - you know, the book was obviously my first kind of big creative pursuit I had control over.
I always have been an entertainer, whether it's been joking or performing for people. And I always thought I had a talent, because I could rap and I could sing, and I did write. And all the other kids were going to college, but I just felt like I had to do this first, and if it didn't work, then I would go to college.
There've been times where, like when I auditioned for 'Akeelah,' I think in the first audition I was a little bit afraid because it was, you know, I had seen girls in there that I had seen on TV before, and I was like, 'Man, I might as well just walk out of here now because I'm just a newcomer,' and this and that.
When I went to college, I went to a junior college. I wanted to go to the University of Alabama but had to go to junior college first to get my GPA up. I did a half-year of junior college, then dropped out and had my daughter. College was always an opportunity to go back. But she, my daughter, was my support. I gave up everything for her.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
I was a poor kid. I grew up watching film and television but primarily television. And I graduated high school, and I knew I wanted to go to college because nobody in my family had. So I was like, 'I'll go and be a theater major.'
Everybody had to go to some college or other. A business college, a junior college, a state college, a secretarial college, an Ivy League college, a pig farmer's college. The book first, then the work.
It's my job, it's my role, it's my mission, it's my dream to have everyone who has Michigan ties - whether you went to college in Michigan, whether you grew up in Michigan, if you've ever heard of the state of Michigan - to do what you can to influence the students of the Detroit metropolitan area.
My first-ever date on my first tour, the sound completely cut out. So I had to go on and just shout loudly to the audience.
I would certainly make the attendance in college paid for, at least at a community college level or a state - you know, a sponsored university level so that if you wanted to go to college and if you had the grades - you might not go to Harvard - but you went to college.
Film schools are now nearly 50-50 male-female, and women are also well represented at festivals and in indie film. But what happens to them after they direct their first film or short? Where do they go? They certainly aren't being given the same opportunities as their male counterparts.
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