A Quote by Alexander Liberman

All art is solitary and the studio is a torture area. — © Alexander Liberman
All art is solitary and the studio is a torture area.
My studio is arranged so that I have a comfortable seating area for meeting with clients, an office area beyond that and a painting area, which includes room for art students to sit and watch as I work.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
I did a lot of research on what solitary confinement does to you, how you become acclimated to being surrounded by people again after being by yourself for such a long time. It's really a horrific thing. It's definitely worth considering it as torture. We're just not meant to be in solitary confinement.
Growing up in Chadds Ford, Pa., I shuttled between studio space in my parents' house and my grandfather's studio just up the hill. It was a solitary childhood, but I loved it.
Bradley Manning has been imprisoned without charge, under torture, which is what solitary confinement is.
I don't know about torture. I have educated myself on many things but on torture I have not known the boundary between what is torture and what isn't torture. I know the NRA tie these people (rebels, etc.) when they catch them. They tie their hands backwards. I am now being told that is torture. It is the traditional method.
I was never exposed to art school. I grew up in an artist's studio. I was exposed a lot of studio time between of my father and a great painter I studied with in Barcelona. That was my art school, as Europe was.
If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.
Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we're from the same area so we have a lot in common.
As I say the UK's position on the issue of torture and the use of torture has not changed. Our policy is the same as it has been. We condemn torture.
I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
I had just finished reading The Day of the Locust when this piece was brought to my attention, and I was like, "How do you create art in the system, the way it is?" Looking around the studio film landscape, there are all of these great superhero movies, which is fantastic, especially for my kids, but it's hard to find real art house films in the studio system, these days.
The United States government does not authorise or condone torture of detainees. Torture, and conspiracy to commit torture, are crimes under US law, wherever they may occur in the world.
The actual breakthrough in the privacy of the studio, when one dares to apply paint in a new manner, is a solitary thrill, dependent upon no one else.
There were two practical reasons we moved to Venice. One was that there was an artists movement and a countercultural movement. Lots of people we might want to hire lived in the area. We also wanted to buy in a lower rent area that looked like it was going to be gentrified so that we could eventually sell the studio for more money.
I abhor anything that constitutes torture. Water-boarding, its perfectly clear to me it is torture. I never supported extraordinary rendition to torture, always said that Guantanamo should be closed. There is no clash of ideals and pragmatism there.
This site uses cookies to ensure you get the best experience. More info...
Got it!