A Quote by Alexander Ludwig

I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
I always wanted to play with people's hair. I was really into 'The Golden Girls' and how big their hair was. I always had Barbies and Ken dolls, whose hair I wanted to play with and was always styling. I was very lucky - I never had to wonder what I was passionate about. I've always known that I'm really, really passionate about grooming.
I always was a guy that wanted to be liked. That wanted to be like everyone else, not really understanding that the platform that I had was different than others. Not really understanding that God expects more from his leaders that he does from people who are not really committed to Him.
I knew I wanted to play 'Dr Cox' really bad, which is always a huge mistake because as soon as you want something really bad, maybe you rip up a little bit.
I ride really well and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked. I love them, but there's been very few of them made. I never wanted to play a guy who was acting like a cowboy. I wanted to play someone who had a real life, but was also trapped into situations.
It was difficult, and yet I was very eager to do it. It was a really odd thing. I really wanted to do that story. I really wanted to write the death of Captain Kirk. I really wanted to do it in the movie.
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
The goal was for me to become a civil engineer. But one day I really felt that it was important for me to do what I really loved. I was really good at engineering, but I didn't have a passion for it, so going to work was something I had to do, not something that I really wanted to do.
I really wanted to make the worst thing: the thing that even people who liked bad, terrible music wouldn't like - the stuff that people would ignore, always. Something really, really stupid. Something that is destined for failure.
I had so many offers after 'True Blood' for things that were someone in the same vein, but nowhere near Alan Ball's vision. Or something that was over-the-top and fantastical. And I've always wanted to play the regular, working-class mom, and I've never really had the chance to do that.
I could be an alternative comic. I could be that really dark - I was - I was a very dark comic to begin with. I could be that guy, and the only reason I didn't is that I wanted to make money. I wanted to be popular. I wanted to be liked more than I wanted to be admired.
I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
Producers might cast an actor because he is too tall next to the leading lady, who is too short, or they might not cast your guy because he's blond, and they wanted a brunette. There's all kinds of reasons why they want one person over another. I don't worry about it, but it can hurt sometimes if you really wanted something, if you really went after something.
Studios might cast an actor because he is too tall next to the leading lady, who is too short, or they might not cast your guy because he's blond, and they wanted a brunette. There's all kinds of reasons why they want one person over another. I don't worry about it, but it can hurt sometimes if you really wanted something, if you really went after something.
The Rhodes is something I've always really wanted. I would never have applied for it if I didn't really want to go. The opportunity to study at Oxford is amazing.
It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.
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