A Quote by Alexander McCall Smith

It's a different sort of love taht puts up with illness. Old love. — © Alexander McCall Smith
It's a different sort of love taht puts up with illness. Old love.
When me and my sister were growing up, we just had very different personalities. I was sort of analytical and took myself too seriously, and she was sort of goofy and nuts and full of love - too much love, she had a crush on a different guy every week.
We love America just as much as they do. But in a different way. You see, they love America like a 4-year-old loves his mommy. Liberals love America like grown-ups. To a 4-year-old, everything Mommy does is wonderful and anyone who criticizes Mommy is bad. Grown-up love means actually understanding what you love, taking the good with the bad and helping your loved one grow.
Love really is the answer to human problems: love of oneself, love of others, love of where one is, love of what one is doing, love of nature, love of life, love of the world, love of spirit in all its wonder and splendor. Love sets our energy free. It opens us and puts us in a flow with spirit and life on many levels. Love is the true secret behind manifestation.
There's love and there's romantic love. The Greeks had different words for different kinds of love. And we just got "love." I don't know what you would call the other kinds - maybe brotherly love, Christian love, the love of Saint Francis, love of everyone and everything. Then there's romantic love, which, by and large, is a pain in the ass, a kind of trauma.
And I will love words for their own sake, like 'hyacinth' and 'Piccadilly' and 'onyx.' And I'll have a good old dog, and think what I like, and be part of a different sort of family, with friends, you know? - who understand that things are only worth what you're willing to give up for them.
I sort of fell in love with the idea that we all love things that we're not supposed to, and that, often, that love is also 'tainted.' I wrapped it in sort of a graphic novel theme, and out of that came 'Tainted Love.'
If you look at the language of illness, you can use it to describe race - you could experience race as an illness. You can experience income level, at many different levels, as a form of illness. You can experience age as an illness. I mean, it's all got an illness component.
We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
I grew up reading Tolkien, and I love him. But I love him in the way that you love that rambly old grandfather. You have to sit through some pretty off-topic stuff before he starts telling his cool old war stories.
I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
I love to work. I know that sounds ridiculous to say because all people love to work, but I love the homework that goes into acting. I love figuring out different ways of playing a scene. I love the energy of being on set. I love not getting enough sleep because I have to wake up early in the morning.
The Japanese have different words for love. To them, it's plain weird that we love spaghetti and love our children and love our lovers, all with the same word, when surely the thing being described as love is radically different in each case.
What sort of love is this love that we have for countries? What sort of country is it that will ever live up to our dreams? What sort of dreams were these that have been broken? Isn't the greatness of great nations directly proportionate to their ability to be ruthless, genocidal? Doesn't the height of a country's 'success' usually also mark the depths of its moral failure?
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love being in popular culture and existing in the evolution of popular culture. But it's so different from painting, and it's so different from that sort of slow, contemplative, gradual process that painting is.
Love for me is my North Star. It's the highest form of grace. And I love that there's different levels and different ways of showing it, and different representations of it. Whether it's love shown to a stranger, love to a sibling, your child, your parents, your partner.
I think the kind of landscape that you grew up in, it lives with you. I don't think it's true of people who've grown up in cities so much; you may love a building, but I don't think that you can love it in the way that you love a tree or a river or the colour of the earth; it's a different kind of love.
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