A Quote by Alexander McQueen
I never look at other people's work. My mind has to be completely focused on my own illusions.
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Stanley Kubrick was a big inspiration. People accuse me of never using my own material. But when did Kubrick? You look at his films and they are completely unique... completely separate entities.
If you are forced to confront your fears on a daily basis, they disintegrate, like illusions when viewed up close. Maybe being always protected made me more fearful, and I would later dip cautiously into the outside world, never allowing myself to be submerged completely, and always jerking back into the familiarity of my own life when my senses were overwhelmed. For years I would stand with a foot in each sphere, drawn to the exotic universe that lay on the other side of the portal, wrenched back by the warnings that sounded like alarm bells in my mind.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
We lack social awareness because we're so focused on what we're going to say next - and how what other people are saying affects us - that we completely lose sight of other people. This is a problem because people are complicated. You can't hope to understand someone until you focus all of your attention in his or her direction.
It is no use dealing with illusions and make-believes. We must look at the facts. The world ... is too dangerous for anyone to be able to afford to nurse illusions. We must look at realities.
The only cure for loss of illusions is fresh illusions, more illusions, and always illusions.
We're constantly getting these messages to mind our own business and look the other way if we want to be well liked, to not tell the truth or speak our mind or say anything too intense. Well, I'm telling you here that this approach not only makes you party to other people's crimes against themselves but is a prescription for mediocrity and delusion
Some people pretend they never were in love and never wrote poetry; two weaknesses which they dare not own -- one of the heart, the other of the mind.
I have no illusions about my filmmaking work but I must add I have no illusions about anybody else's either. I am very strict with myself and I think, "no, that could have been improved", "why didn't I put a little bit more then? Why didn't we come out then?" It was what I thought was right at the time and you have to stand by that. And if it completely fails you have got to say, "But that is what I meant at the time.".
Nothing other people do is because of you. It is because of themselves. All people live in their own dream, in their own mind; they are in a completely different world from the one we live in. When we take something personally, we make the assumption that they know what is in our world, and we try to impose our world on their world.
I'm very focused on what I do professionally, and I'm very focused on my family, and I don't really get too stressed out about what people say or what other people think. In fact, it's not on my radar at all. If there's anything negative, I don't want to know about it. I just do my own thing and get on with my life.
If you are an enemy to your own mind, other people have to become enemies too, sooner or later. Until you understand, until you can love the thoughts that appear in your mind, then you can love the rest of us. You work with the projector -the mind - not the projected world. I can't really love you until I question the mind that thinks it sees you outside itself . . .
I guess when I look over my shoulder at other designers, I feel like people are so definitive. It's so clear to me what their aesthetic is, what they're projecting. And I look at my own work and I think, Who could ever decipher what the hell is going on?
I think if there's ever been a time we need music more, it's now. For our kids, it teaches you to take time, to listen, to work together, to listen to other people, and to use your brain. That's why classical music doesn't work when you throw it at people in a subway platform while they're rushing to work. Classical music is something that needs to be contemplated, you have to be completely present with an active mind that's working. It's not background music.
If you look at history, even recent history, you see that there is indeed progress. . . . Over time, the cycle is clearly, generally upwards. And it doesn't happen by laws of nature. And it doesn't happen by social laws. . . . It happens as a result of hard work by dedicated people who are willing to look at problems honestly, to look at them without illusions, and to go to work chipping away at them, with no guarantee of success — in fact, with a need for a rather high tolerance for failure along the way, and plenty of disappointments.
I am aloof by nature. I mind my own business. I'm good with everyone, and I get along fine with people. But work is work, and friendship is friendship. I never mix the two.
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