A Quote by Alexander Pope
In this commonplace world every one is said to be romantic who either admires a fine thing or does one.
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As a rule, said Holmes, the more bizarre a thing is the less mysterious it proves to be. It is your commonplace, featureless crimes which are really puzzling, just as a commonplace face is the most difficult to identify.
I can’t have it either. It affects the babies in utero.” “Nonsense,” he said, tossing his long auburn hair over one shoulder. Life would be easier if he wasn’t so damned good-looking. “Why, my mother drank wine every day, and I turned out just fine.” “I think you’re proving my point for me,” I said dryly
The characteristic of the hour is that the commonplace mind, knowing itself to be commonplace, has the assurance to proclaim the rights of the commonplace and to impose them wherever it will.
What a designer does is he makes things possible that you didn't imagine could exist before, and it makes the world a better place. You know, it's a great thing to be doing. A fine artist does that, too, but they make the expression for themselves, not for others' use.
I think you have to ask yourself, what is the point of the script? What is the script selling? Because all scripts are political, every story is political. It either challenges or reinforces some schism or stereotype. So what is the project going to say at the end of the day? What does it tell you about the world, or what does it challenge in terms of your world?
I often think it's comical
How Nature always does contrive
That every boy and every gal
That's born into the world alive
Is either a little Liberal
Or else a little Conservative!
Everything is worth seeing once, and the more one sees the less one either wonders or admires.
I got into an argument with someone because I said I think 2Pac will be regarded as a great poet. They said he was just a punk gangster. People said the same thing about Francois Villon, and he's now considered the best French Romantic poet of all time.
The very first thing an executive must have is a fine memory. Of course it does not follow that a man with a fine memory is necessarily a fine executive. But if he has the memory he has the first qualification, and if he has not the memory nothing else matters.
The habit of expression leads to the search for something to express. Something remains as a residuum of the commonplace itself, if one strikes out every commonplace in the expression.
Romantic art deals with the exception and with the individual. Good people, belonging as they do to the normal, and so, commonplace type, are artistically uninteresting.
Wealth and speed are what the world admires, what each pursues. Railways, express mails, steamships and every possible facility for communications are the achievement in which the civilized world view and revels, only to languish in mediocrity by that very fact. Indeed, the effect of this diffusion is to spread the culture of the mediocre.
I don't think I am a traditional romantic who thinks about candlelight dinners and wonders if my husband is going to bring me flowers, though I'm delighted if he does. I'm more practical-minded. I find it incredibly romantic that my husband does the dishes.
Women are at once the guardians and the well-spring of the world's faith, morality, and tenderness; and if ever they are degraded to a commonplace level with men, this fine essential quality will be impaired, and their weakness will have to beg and follow where now it guides and controls.
The world taught women nothing skillful and then said her work was valueless. It permitted her no opinions and said she did not know how to think. It forbade her to speak in public and said the sex had no orators. It denied her the schools, and said the sex had no genius. It robbed her of every vestige of responsibility, and then called her weak. It taught her that every pleasure must come as a favor from men and when, to gain it, she decked herself in paint and fine feathers, as she had been taught to do, it called her vain.
I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
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