A Quote by Alexander Pope

But those who cannot write, and those who can, All rhyme, and scrawl, and scribble, to a man. — © Alexander Pope
But those who cannot write, and those who can, All rhyme, and scrawl, and scribble, to a man.
Rhyme to kill, rhyme to murder, rhyme to stomp, Rhyme to ill, rhyme to romp, Rhyme to smack, rhyme to shock, rhyme to roll, Rhyme to destroy anything, toy boy. On the microphone: I'm Poppa Large, big shot on the East Coast.
The illiterate of the 21st century will not be those who cannot read and write, but those who cannot learn, unlearn, and relearn.
[Cultural relativism] licenses the envy of the untalented, giving rise to what has been called the revenge of failure: Those who cannot paint destroy the canons of painting; those who cannot write reject canonical literature.
When I write notes in my journal, I'm just trying to scribble down as much as possible. Later on, I decide whether to follow some of those first impressions or whether to abandon them.
Those who do not know the plans of competitors cannot prepare alliances. Those who do not know the lay of the land cannot maneuver their forces. Those who do not use local guides cannot take advantage of the ground.
A fool may scrawl on a slate and if no one has the wit to wipe it clean for a thousand years, the scrawl becomes the wisdom of ages.
It is a curious paradox that precisely in proportion to our own intellectual weakness will be our credulity, to those mysterious powers assumed by others; and in those regions of darkness and ignorance where man cannot effect even those things that are within the power of man, there we shall ever find that a blind belief in feats that are far beyond those powers has taken the deepest root in the minds of the deceived, and produced the richest harvest to the knavery of the deceiver.
When I write for 'n+1,' I begin by doing a lot of reading, to try to convince myself I'm not stupid. Then I scribble down a paragraph here, a paragraph there, when a notion strikes. Then I see if I can arrange those notions in a way that yields an argument.
Format is just the language. Content is the only thing that is important. Form is like handwriting. Whether you write in a scribble or clean handwriting or type it, the content remains the same. You want to write in clean hand, in a kind of a clear format only because it is aesthetically pleasing. I can scribble, that's also fine.
No doubt, there are those who believe that judges - and particularly dissenting judges - write to hear themselves say, as it were, 'I, I, I.' And no doubt, there are also those who believe that judges are, like Joan Didion, primarily engaged in the writing of fiction. I cannot agree with either of those propositions.
Those with a gift for action, for their part, often express contempt for those whose gifts are more reflective. Men of action like to say, 'Those who can, do, those who can't, teach,' forgetting that those who teach get to write the history books.
Those with a gift for action, for their part, often express contempt for those whose gifts are more reflective. Men of action like to say, Those who can, do, those who cant, teach, forgetting that those who teach get to write the history books.
Death cannot touch the higher consciousness of man ... it can only separate those who love each other so far as their lower vehicles are concerned; the man living on earth, blinded by matter, feels separated from those who have passed onwards, but ... there is no such thing as Death at all.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
Those that think that wealth is the proper thing for them cannot give up their revenues; those that seek distinction cannot give up the thought of fame; those that cleave to power cannot give the handle of it to others. While they hold their grasp of those things, they are afraid of losing them. When they let them go, they are grieved and they will not look at a single example, from which they might perceive the folly of their restless pursuits - such men are under the doom of heaven.
I don't sing melodically. Rhyme pattern is how I sing. I also write like a lyricist or an MC because that's what I was before I was a singer. I just took those elements and put them into music.
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