A Quote by Alexander Pope
Leave not a foot of verse, a foot of stone, A Page, a Grave, that they can call their own; But spread, my sons, your glory thin or thick, On passive paper, or on solid brick.
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This is the posture of fortunes slave: one foot in the gravy, one foot in the grave.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003
Equity is a roguish thing. For Law we have a measure, know what to trust to; Equity is according to the conscience of him that is Chancellor, and as that is larger or narrower, so is Equity. 'T is all one as if they should make the standard for the measure we call a "foot" a Chancellor's foot; what an uncertain measure would this be! One Chancellor has a long foot, another a short foot, a third an indifferent foot. 'T is the same thing in the Chancellor's conscience.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
One thing I love about guards in this league is that you can be a 5-foot-9 pit bull or a methodical 6-foot-7 jump-shooter, and still succeed in your own way.
A lot of women don't like when they're sort of fat, but a fat foot is as beautiful as a skinny foot. Think of Greek statues. Look how many people love the foot of the baby! There is something super-charming about the baby foot.
I feel like I have one foot in New York, one foot in London and one foot in India. But it's important to me to invest time with family.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’
What is sexual in a high heel is the arch of the foot, because it is exactly the position of a woman's foot when she orgasms... So putting your foot in a heel, you are putting yourself in a possibly orgasmic situation.
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
A small foot in China, no different from a tiny waist in Victorian England, represented the height of female refinement. For families with marriageable daughters, foot size translated into its own form of currency and a means of achieving upward mobility. The most desirable bride possessed a three-inch foot, known as a 'golden lotus.'
I always did my own thing. I'm not an outsider, but I have one foot in and one foot out.
The human foot has bones and muscles and can balance back and forth. If you step and you maybe make a little mistake, your foot can compensate. But if I step in the wrong spot, my foot isn't going to compensate because it's just one piece of carbon fiber.
As one of my teachers, Buckminster Fuller, says, we were given a right foot and a left foot, not a right foot and a wrong foot. The point is that, there's always two points of view out there, and we need to increase our ability to allow another point of view. Then we have a better chance for peace.
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
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