A Quote by Alexander Pope
First follow Nature, and your judgment frame
By her just standard, which is still the same:
Unerring nature, still divinely bright,
One clear, unchanged, and universal light,
Life, force, and beauty must to all impart,
At once the source, and end, and test of art.
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Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
Nothing comes to pass in nature, which can be set down to a flaw therein; for nature is always the same, and everywhere one and the same in her efficacy and power of action: that is, nature's laws and ordinances, whereby all things come to pass and change from one form to another, are everywhere and always the same; so that there should be one and the same method of understanding the nature of all things whatsoever, namely, through nature's universal laws and rules.
O, if so much beauty doth reveal
Itself in every vein of life and nature,
How beautiful must be the Source itself,
The Ever Bright One.
nature has not changed. The night is still unsullied, the stars still twinkle, and the wild thyme smells as sweetly now as it did then ... We may be afflicted and unhappy, but no one can take from us the sweet delight which is nature's gift to those who love her and her poetry.
Superstring theories provide a framework in which the force of gravity may be united with the other three forces in nature: the weak, electromagnetic and strong forces. Recent progress has shown that the most promising superstring theories follow from a single theory. For the last generation, physicists have studied five string theories and one close cousin. Recently it has become clear that these five or six theories are different limiting cases of one theory which, though still scarcely understood, is the candidate for superunification of the forces of nature.
Try to walk as much as you can, and keep your love for nature, for that is the true way to learn to understand art more and more. Painters understand nature and love her and teach us to see her. If one really loves nature, one can find beauty everywhere.
Nature is a light, and by looking at Nature in her own light we will understand her. Visible Nature may be seen in her visible light; invisible Nature may become visible if we acquire the power to perceive her invisible light.
By viewing nature, nature's handmaid art, Makes mighty things from small beginnings grow: Thus fishes first to shipping did impart, Their tail the rudder, and their head the prow.
Just do two things: meditate, watch your thought processes; become just a spectator of your mind. That is meditation, becoming a witness. And second: follow the law, follow the natural course. Don't be unnatural, don't try to fight with nature - stop being a fighter. Learn how to relax with nature, learn to let go. Flow with nature, allow nature to possess you totally.
As all Nature's thousands changes But one changeless God proclaim; So in Art's wide kingdom ranges One sole meaning still the same: This is Truth, eternal Reason, Which from Beauty takes its dress, And serene through time and season Stands aye in loveliness.
Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.
The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.
Moral beauty is the basis of all true beauty. This foundation is somewhat covered and veiled in nature. Art brings it out, and gives it more transparent forms. It is here that art, when it knows well its power and resources, engages in a struggle with nature in which it may have the advantage.
Serene will be our days, and bright and happy will our nature be, when love is an unerring light, and joy its own security.
As it is with spiritual discoveries and affections given at first conversion, so it is in all subsequent illuminations and affections of that kind; they are all transforming. There is a like divine power and energy in them as in the first discoveries; they still reach the bottom of the heart, and affect and alter the very nature of the soul, in proportion to the degree in which they are given. And a transformation of nature is continued and carried on by them to the end of life, until it is brought to perfection in glory.
No creature hath the like resemblance to the divine nature, as light hath. He doth not only dwell in light, but he is light. Light is a pure, bright, clear, spiritual, unmixed substance. God is infinitely so.
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