A Quote by Alexander Pope

Pretty conceptions, fine metaphors, glittering expressions, and something of a neat cast of verse are properly the dress, gems, or loose ornaments of poetry. — © Alexander Pope
Pretty conceptions, fine metaphors, glittering expressions, and something of a neat cast of verse are properly the dress, gems, or loose ornaments of poetry.
Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.
Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.
Verse in itself does not constitute poetry. Verse is only an elegant vestment for a beautiful form. Poetry can express itself in prose, but it does so more perfectly under the grace and majesty of verse. It is poetry of soul that inspires noble sentiments and noble actions as well as noble writings.
'Paranoia' was pretty awesome because it was the cast of 'Air Force One,' Gary Oldman and Harrison Ford back together, pitted against each other again, so that was pretty neat.
The more serious poetry of the race has a philosophical structure of thought. It contains beliefs and conceptions in regard to the nature of man and the universe, God and the soul, fate and providence, suffering, evil and destiny. Great poetry always has, like the higher religion, a metaphysical content. It deals with the same august issues, experiences and conceptions as metaphysics or first philosophy.
If a poem is not memorable, there's probably something wrong. One of the problems of free verse is that much of the free verse poetry is not memorable.
The sacred books of all the world are worthless dross and common stones compared with Shakespeare's glittering gold and gleaming gems.
Language is properly the servant of thought, but not unfrequently becomes its master. The conceptions of a feeble writer are greatly modified by his style; a man of vigorous powers makes his style bend to his conceptions.
When things go right and you test properly and you find equipment that's better than what you were playing, then you can do some pretty neat things on the golf course.
Poetry has to be something more than a conception of the mind. It has to be a revelation of nature. Conceptions are artificial. Perceptions are essential.
Christian sisters should not at any time dress extravagantly, but at all times dress as neat, modest, and healthful, as their work will allow.
It is well known that a loose and easy dress contributes much to give to both sexes those fine proportions of body that are observable in the Grecian statues, and which serve as models to our present artists.
The fact that something is in a rhymed form or in blank verse will not make it good poetry.
I write a lot of children's verse and I think it delights in the language. It pleases people. It's very musical. It's very lyrical and that's certainly a very important aspect of poetry. But I think that a lot of it is verse. I write well-wrought verse.
I like putting common expressions next to uncommon expressions. I'm sure in Poetry 101 there is a name for it, but it seems like you usually go one way or the other in rock music.
Don't talk to me any more about poetry for months -- unless it is other men's work. I really love verse, even rubbish. But I'm fearfully busy at a novel, and brush all the gossamer of verse off my face.
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