A Quote by Alexander Siddig
I'm not necessarily a good actor, but once people start saying you are, you are. And I know that that's a truism, and there's obviously nothing important in that particular statement, but it's really about the fact that people create you as a good actor.
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I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
There is a bit of a once a soap actor always a soap actor thing, but I do think people still recognise talent. If youre good at something, then people have no choice but to accept it.
You know, once you give birth, once you have kids, you realize what's important in life, and you realize it's really not difficult to be a good person. And so when people aren't good around me, I tend to move away from that. There are so many good people in the world, and you want to surround your children with that.
There are two jobs. There is being an actor, and there is being a celebrity. Some people are really good at both. Some people are really good celebrities and terrible actors, and some people are really good actors and terrible celebrities. Hopefully, I am a really good actor and an OK celebrity.
And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process.
I thought for a minute about an actor and a musician simultaneously, but I think that's always very loaded as an actor when you become a "slash," and you do an actor "slash" anything. You better be really, really good at it.
When you're an actor in grade school, high school, college, whatever, you start to realize what you're really good at, what you're kinda good at, what you're okay at, and you start to compartmentalize. But if you know yourself and what you're capable of, it's just a matter of opportunity.
If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
Every artiste vies for that one role, which takes her a level up, where people start recognising your work and acknowledging the fact that you are a good actor.
I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.
Once you start working with a particular actor, that actor becomes very present in your mind as your mind as you're writing subsequent episodes.
Only a good actor has an edge over a weak actor. A hardworking actor has an edge over a lazy actor. Nationality has nothing to do with it.
[ Being director] is really reassuring to me that it's just about who is right for that role and less about if you ace the audition. It's just about getting to know people, not about who's a better actor a lot of the time. It's about who fits that particular suit, you know?
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
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