A Quote by Alexander Skarsgard
I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.
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I tried to take advantage of what I could in Philly. But when it was time to move on, I moved on to New York. There, I booked a series regular role on 'One Life To Live.' I played a character named Deanna Forbes. She was my first big job. It was on daytime TV. And it was a great opportunity until that show got canceled.
Forward, always moving forward, from the time I can remember - a kid. I was short, and the big guys would take advantage; I had to turn myself into a body puncher. By that time I was in reform school, they'd have a boxing match every week; they'd bring guys in from outside to fight me.
I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
My mom and dad - they were always there. They were always on the set. They focused on our family life. The entertainment business wasn't the end-all. They weren't out to get the next big paycheck or the next big movie. It was about 'What can we do as a family.
My mom and dad - they were always there. They were always on the set. They focused on our family life. The entertainment business wasn't the end-all. They weren't out to get the next big paycheck or the next big movie. It was about 'What can we do as a family.'
The first day of shooting, you always want to turn around and go home and say, "What was I thinking?!," and put your head under a pillow and weep. I could maybe go five weeks, and then the nerves would set in about when the next job was going to happen.
There's this notion that actors choose their career. After a certain level, I think that that's true. I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
Someone once told me it's more important what you turn down than what you take, and I think that rings true, especially when you're trying to make decisions about how you want to be viewed. It's hard, because I also want to have fun, and if there's a project that's super-small or low-budget or silly but it happens to have friends involved, I'll always take it, because my number-one priority is that I want to have fun with my career.
My choices in projects have all been character or role-based, and on a financial level, it's obvious: as an actor on a TV series, I get a wonderful paycheck, and a consistent paycheck, which doesn't always happen when you're doing theater or movies.
Quite low down in the list is "How much am I going to be paid?"... my main feeling about money is that I don`t want to feel as though I`m being taken advantage of... The other actors they asked to play Gandalf wouldn`t go to New Zealand on that money for that length of time. I thought it would be a bit of an adventure... I`m an eccentric actor, and there`s a lot of us around.
Before, early in my career, it was always just go out there and beat the next guy up. Whoever they put in front of me,just go beat him up. Everything else would take care of itself. You want more money? Go beat the next guy up, it will take care of itself. You want better sponsors? Go beat the next guy, it will take care of itself.
The first job I booked was on 'True Blood.' I played a blood siren.
It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.
I was always driven by the idea that if people ever found out about who I was then the stature I created for myself within rugby would have to be as relevant as the fact I was gay. It was always the driving factor to be the strongest, the fastest, the most skilful.
I have the advantage of being pretty small, so if I'm flying myself, I'm flying coach. To save the money. I just put in my headphones, and it's no big thing. I keep my head down, wear a hoodie or a hat - but sometimes not even that. I'm small. People miss me.
The fact that I get to play a queer Filipino on television and another queer character in 'Crazy Rich Asians' is huge. I never thought I'd have a career being myself. I always thought that being an actor in Hollywood meant that I would have to put that side of me on the back burner.
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