A Quote by Alexander Smith

A poem round and perfect as a star. — © Alexander Smith
A poem round and perfect as a star.
The mind wraps itself around a poem. It is almost sensual, particularly if you work on a computer. You can turn the poem round and about and upside down, dancing with it a kind of bolero of two snakes twisting and coiling, until the poem has found its right and proper shape.
Being president is as difficult as writing the perfect poem. And being president is as effortless as writing the perfect poem. Always a Reckoning, my first collection of poetry, was described by Booklist as 'keenly evocative.'
I think a good poem should have some inscrutable part. You can't quite explain it. The poem can only explain itself to a certain limit and at that point you enter into a little bit of mystery. That for me is the perfect poem: to begin in clarity and to end in mystery.
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
Do not wait for a poem; a poem is too fast for you. Do not wait for the poem; run with the poem and then write the poem.
Quality and perfection are achieved with time. You do not create a perfect painting or a perfect poem by hurrying. Time is always coming.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up
People I know who succeed don't mind working. Those who are competent seem to like doing things well -- not stopping because they haven't accomplished what they wanted to on the first go-round. They're willing to do it twenty times, if necessary. There's an illusion that the good people can easily do something, and it's not necessarily true. They're just determined to do it right. I was impressed by hearing one of the women at Radcliffe talk about writing a poem, how many revisions a single poem sometimes has to go through -- fifty or sixty revisions to come out with a poem sixteen lines long.
And the seasons they go 'round and 'round And the painted ponies go up and down We're captive on the carousel of time We can't return we can only look behind From where we came And go round and round and round In the circle game.
Being the offspring of English teachers is a mixed blessing. When the film star says to you, on the air, 'It was a perfect script for she and I,' inside your head you hear, in the sarcastic voice of your late father, 'Perfect for she, eh? And perfect for I, also?'
I keep feeling that there isn't one poem being written by any one of us - or a book or anything like that. The whole life of us writers, the whole product I guess I mean, is the one long poem - a community effort if you will. It's all the same poem. It doesn't belong to any one writer - it's God's poem perhaps. Or God's people's poem.
For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.
Often when I write poetry I don't quite know what I'm saying myself. I mean, I can't restate the poem. The meaning of the poem is the poem.
A good poem is not completely a poem until it has received a critical response that grows out of the poem in an almost biological way.
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