A Quote by Alexander Zverev
I think tennis is going towards the direction of powerful, hard hitters, and that's what us tall people are. We are trying to play very aggressive; we're trying to make a lot of winners, and, I mean, I don't know. That's what tall players kind of do.
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I had a fear of being too tall because my dad is very tall, and both my sisters are very tall. And they're drop-dead gorgeous, but I just didn't know if I, as Storm, wanted to be 6 feet tall, 'cause I feel like that's pretty tall.
People ask me what it's like to be tall, and I don't know what to say because I don't know any different. I grew up in a very tall house, so I wasn't an anomaly there.
I think the people loves my effort to come back and play tennis. They know what have been through with all my wrist problems. They like one guy who never give ups, and he's trying to play tennis.
The Premier League is not easy for young players because it is very hard, very tough. Most of the players are very tall.
My dad once told me that he would rather I had an old boyfriend than a tall boyfriend. I don't know why, I think he's just feels stressed by... He' not that short I just think the idea of a really tall guy is super anxiety producing to him. And now I'm with neither old guy nor a very tall guy. So everything has worked out perfectly.
I grew up sort of a geeky, tall kid, and I think I was always the one trying to make my friends laugh.
When you make something, if you are a painter or a writer, a degree, or a sculptor or whatever or a musician, a degree of energy is required to make it, and I'm not sure that it is always aggressive, but when you have a great deal of energy it can appear to be more aggressive than it is. In fact, I mean you can talk about a waterfall being aggressive, but in fact it is just a very powerful forward movement of energy, and although I think sometimes my engine house is a kind of anger.
I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."
Tennis players need to be very focused and very intense, and I can show tennis players are not just hitting the little yellow ball and moving in between the white lines. I'm always trying to show my personality outside of the court.
I've never actually met one in the wild, but I have seen a king cobra. They go towards people, they rear up six feet tall and they're very aggressive and they are very fast. And one bite means certain death. So if I encountered a king cobra in the wild I would be very alarmed.
Perhaps the greatest definition I think of character and quality is people who when they're truly great rather than making you feel that tall they make you feel that tall, that they're greatness as it were improves you.
We are all built differently. Some guys are more powerful. Some guys are very tall. I'm not very tall, so I rely on quickness.
I'm a person who's trying to live within divine law, to the best and it's very hard because it's self-discipline, because the more you realise, the more you've got to get yourself straight, so it's hard, you know. I'm trying and there are a lot of people who are trying, even people who are not conscious that they are doing it, but they are really doing things for the good, or just to be happy or whatever.
We know there are a lot of good secondaries out there. We are just trying to focus on what we can do to get better. We've got some new, young guys coming in and we are trying to catch them up to speed. We are trying to make sure that we have depth, making sure the guys behind us know what is going on. We are going to keep pushing each other to raise the standard for our secondary.
We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can.
I'm trying to make a primitive painting. I'm trying to summon the archaic. I want to enter into a primitive situation. This is my protest against the sensory deprivation that we experience, which is due to this tendency towards globalization, towards homogenization, towards the generic - a technological standard rather than an aesthetic standard. I'm mining history, trying to regenerate a pictorial situation that is more humanistic. It's not about commodification, it's not about fitting into some sort of corporate structure. It's opposed to that direction.
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