A Quote by Alexandra Bracken
For those of you looking for your action-packed read, check out 'Red Queen' by Victoria Aveyard and 'Vengeance Road' by Erin Bowman. One's a fantasy and one's a Western, but they both feature strong leading ladies and some harrowing twists!
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There's gonna be all the twists and turns you would expect and twists and turns you did not expect. The finale is probably the most jam-packed episode there's ever been. Things are packed into it like sardines. All of the life is squeezed in there. They lengthened it to 90 minutes because there's just so much. It's a supersized monstrosity.
It is the function of the novelist to reveal the hidden life at its source: to tell us more about Queen Victoria than could be known, and thus to produce a character who is not the Queen Victoria of history.
I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.
Death, there will be death, aye. Your lordship lost a son at the Red Wedding. I lost four upon the Blackwater. And why? Because the Lannisters stole the throne. Go to King’s Landing and look on Tommen with your own eyes, if you doubt me. A blind man could see it. What does Stannis offer you? Vengeance. Vengeance for my sons and yours, for your husbands and your fathers and your brothers. Vengeance for your murdered lord, your murdered king, your butchered princes. Vengeance!
'Alias' was very action-packed. 'G.I. Joe' and 'Conan' were very action-packed. It's been established that I can do action, which is great, but now I may just want to make out with a really hot guy.
[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't.
To the Looking-Glass world it was Alice that said 'I've a sceptre in hand, I've a crown on my head. Let the Looking-Glass creatures, whatever they be, Come and dine with the Red Queen, the White Queen, and me.
At the MTV Movie Awards, I was wearing a dress, and that red carpet is outside, and Victoria Justice was going before me on the red carpet. Apparently she's like the biggest star in the world, so everybody was just like 'Victoria! Victoria!' so I am just standing there, and a couple of reporters were just like 'Hello.' And then my skirt just flies up, and I was like 'Take that, Victoria Justice!'
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
I've written extensively on Queen Victoria and Queen Elizabeth and seen up close how those women, who were born when the country hoped for a male heir, made their way as leaders.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
We sat down and read it for the first time and I thanked God under my breath, because they were all so good. And my leading ladies are both exceptional. I mean, everybody in the play. I could just go on all night about them.
When I'm looking for a strong female character, or a strong character at all, I'm looking for a character that has a purpose in that story, that has an interior life of some sort. They don't have to be physically strong; they don't have to be morally strong or ethically strong, because men and women come in a huge variety of all of those things. Emotionally, ethically - I'm less concerned with that. I just don't want them to be props. That's the only thing that offends me.
Marvin Gaye was the ultimate ladies' man and a big part of that was the way he dressed. If you're having trouble getting ladies, step your suit game up and see the difference. Walk into a bar in a tailored suit and I guarantee every girl will check you out.
The notion of Victoria should be a ladies' paradise. If men like Victoria's Secret, that's kind of a bonus, but in my imagination they should feel uncomfortable when they're in the store, if there's no mahogany paneling, there's nothing that's welcoming. This is a ladies' paradise. And that thinking goes into the design of the store, the fitting rooms, the fabric, the display. It's all from the lady's point of view. It has nothing to do with men.
The First World War created the Second World War because that was a war between three grandsons of Queen Victoria: The King of England, the Kaiser and the Tsar married Queen Victoria's granddaughter. And that triggered Communism in Russia and Fascism in Germany and led to the Second World War.
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