A Quote by Alexandra Bracken

I think maybe the most frustrating feeling in the world is to have something to say buy not know how to put it into words. To have lived through something but not be able to get it out of you before it festers.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
There is nothing but water in the holy pools. I know, I have been swimming there. All the gods sculpted of wood or ivory can’t say a word. I know, I have been crying out to them. The Sacred Books of the East are nothing but words. I looked through their covers one day sideways. What Kabir talks of is only what he has lived through. If you have not lived through something, it is not true.
I think the most frustrating thing is when people... sometimes people are a bit lazy and they don't listen to something, and they'll just say you sound like something else and it's quite clear that you don't, I think that's frustrating.
It doesn't matter if you and everyone else in the room are thinking it. You don't say the words. Words are weapons. They blast big bloody holes in the world. And words are bricks. Say something out loud and it starts turning solid. Say it loud enough and it becomes a wall you can't get through.
When preparing for a role, a month is a luxury. Sometimes you've maybe got two weeks before you start on something. So you have to learn how to do it quickly. And the longer you have a role, that it lives in your imagination, the more you're going to be able to contribute when you get on set. Because it's really about your subconscious having time to sit with the part, so you're out doing something and then something occurs to you, you know?
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
How do you feel about a person when you're talking over the phone? If you know them, or if you don't know them, do you get something, do you put that into words of your own, from what they say, or from what you think? Or if it were music over the radio, have you ever tried to think how it would look?
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I do not communicate by words alone. In fact, rarely do I do so. My most common form of communication is through feeling. Feeling is the language of the soul. If you want to know what's true for you about something, look to how you're feeling about it... Hidden in your deepest feelings is your highest truth.
The things we felt most are hardest to put into words. Hate is always easier to speak of than love. How shall I make love go through the sieve of words and come out something besides a pulp?
Why is it that people don't know what to say when something bad has happened to someone they know? Maybe because they think there are some magic words that will make everything all right again, only they don't know what the words are.
I am pretty expressive with my emotions. I don't think something and say something else. I don't know if it's something I should be proud of or to watch out for. Maybe I am not politically correct. I don't know if that's a crime.
The Super Bowl is something you can't put into words. It's such a great feeling. I wish I could put it into words, but you just have to be there to know the experience.
The spirit of the drum is something that you feel but cannot put your hands on, It does something to you from the inside out . . . It hits people in so many different ways. But the feeling is one that is satisfying and joyful. It is a feeling that makes you say to yourself, ' I'm glad to be alive today! I'm glad to be part of this world!
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
I know what I think but I don't know how to put it into words. Maybe I could get a little bit drunk and dance it for you.
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