A Quote by Alexandra Daddario
Everyone has the opportunity to do a horror film. There's something great about it as an actor. You have to go to places you'd normally never go and be put in situations you would never be put into. You don't get the opportunity in a lot of films to have this kind of acting. It's an interesting challenge.
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I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
'Places to Go' is something that I would never normally write because I would usually be worried with what people would think about me.
As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it. So, putting out a record, it's such a brilliant opportunity to be in control of things. It's my world, my music, and I can put it out there in a way that is meaningful to me.
A little secret about actors is that we never think we do a great job in auditions. We kind of just go in and do our work and leave sort of hoping for the best. It's an interesting dynamic - acting is such an interesting job. You never quite know how well you do.
There will always be something down there that says, 'All right, you won the Bellator title but you never won the UFC title.' I've thought about that. I've never had the opportunity, and yes, a lot of it is my fault... but I never got that opportunity.
If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.
The most interesting thing about acting is when you go to the dark places, that's a lot of energy. When you go to the happiest places, it's also a lot of energy.
The little town I was brought up in, I'd go to the film society to these very extreme sorts of films that you wouldn't normally see in the movie houses. But I never dreamed that I would get into the position to be shooting movies equivalent to the ones I loved as a kid.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
I don't ever want to think my time is up as a performer. I have been afforded the opportunity to sell 150 million albums, to travel to places I never thought I would go. I'm going to keep on performing. I hope it never ends.
I've never felt terribly attached to acting because I always feel like the world is really big and really interesting, and there are a lot of places that I can put my energy and be fulfilled.
It's a curious thing about celebrity: being somebody who was one of the stars of one of the most popular television shows in history offers an opportunity. I look at it as an ambassadorial opportunity at times, where I can go to places and have the opportunity to do things and meet people that other people don't have.
Everyone in show business makes these sweeping, "I'll never work with so-and-so again," because that's the way you feel at the moment. It's a business where there really is no point in ever saying never. There are people I've sworn that I would never go near again, and then you see an interesting role that would put you opposite that person and you think, "Well, we'll work together, maybe they were having a bad year."
The good Lord didn't see fit to put oil and gas only where there are democratically elected regimes friendly to the United States. Occasionally we have to operate in places where, all considered, one would not normally choose to go. But we go where the business is.
I've gotten to go to a lot of places that I never would have been able to go and been able to meet a lot of people. And every now and then you'll be doing something and you're like, "I can't believe I get to do this."
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