A Quote by Alexandra Daddario
I'm a big believer in sort of sense memory, like using something that you've experienced in order to put yourself in the position that the character is in.
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When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears.
What is the character trying to say? Why? Be as specific as you can, using sense images that evoke something about the character. Try using the character's senses, even if the character is you.
I've always been interested in visualizing something, whether it's a memory or an idea you want to be true. I am a big believer in that. I'm constantly thinking of that. If I can't picture something, then it doesn't make sense to me.
I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.
When you have more respect for yourself and put yourself in a position where you feel your sense of value or worth, that's how you know you're on the right path.
I'm not a big believer in doing things unilaterally. I'm a big believer in opening up a dialogue and figuring out how we can make something work for all people.
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million and do something which is much more character driven, but still create a sort of visual spectacle around it. That is what I'd like to do.
I feel like with every character, you try to put yourself in that person's position and just completely use your imagination. That's what I do, at least. Everything is just pretend.
I hate the idea of getting in a building that someone else has designed and having to do something to it yourself to sort of dress it up - it's like using presets in your tracks.
I'm a true believer that you have a moral obligation to keep your employees honest, and that is why you have controls, so I'm never tempted or put in a position where I could do something to defraud my employer.
I directed plays in college. It's something that I have sort of always put in the back of my mind, and I'm a busy actress, and it's very difficult to sort of find the time, honestly, to commit to directing. It's a very - it's a big, big job.
Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.
If someone's carrying a gun or a knife it's not a nice thing. They aren't going to feel that comfortable with it. It's a scary position to put yourself in. You don't choose to do that unless you feel there's absolutely no other option and you're forced to carry a weapon in order to protect yourself.
We have all experienced times when, instead of being buffeted by anonymous forces, we do feel in control of our actions, masters of our own fate. On the rare occasions that it happens, we feel a sense of exhilaration, a deep sense of enjoyment that is long cherished and that becomes a landmark in memory for what life should be like.. moments like these are not the passive, receptive, relaxing timesthe best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.
I err on the side of a kind of optimistic agnostic sense that there's something that put us all here - some energy or something that we are not in a position to understand.
In memory, you can access something from the past, anything that you've experienced that you remember - it's there. Now, you might have a memento of it in a photograph or in a film or a building or some clothes that you wore. There might be something that connects you to this memory. But all of us are just all caught in this time, whatever that is.
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