A Quote by Alexandra Fuller
I did not know that for the things that unhorse you, for the things that wreck you, for the things that toy with your internal tide - against those things, there is no conventional guard.
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I began to wonder - I knew I was an artist or wanted to be one - but I was wondering whether I really was an artist. I was doing such ordinary things that I could feel the difference. Most people would look at those things and say, 'Well, that's nothing. What did you do that for? That's just a wreck of a car or a wreck of a man. That's nothing. That isn't art.' They don't say that anymore.
The things you do not have to say make you rich. Saying things you do not have to say weakens your talk. Hearing things you do not need to hear dulls your hearing. And things you know before you hear them — those are you, those are why you are in the world.
Picture this scene. A critic arrives at the gates of heaven. 'And what did you do?' asks Saint Peter. 'Well', says the dead soul. 'I criticised things'. 'I beg your pardon?' 'You know, other people wrote things, performed things, painted things and I said stuff like, "thin and unconvincing", "turgid and uninspired", "competent and serviceable,"...you know'.
There’s an old saying: that which doesn’t kill you makes you stronger. I don’t believe that. I think the things that try to kill you make you angry and sad. Strength comes from the good things — your family, your friends, the satisfaction of hard work. Those are the things that keep you whole. Those are the things to hold on to when you’re broken.
The dark is a quiet place. Reflection and contemplation are the only things to do in it. Well that, and imagine the worst things possible.
I don’t have to reflect or contemplate or any of those things. I know what the worst things possible are. I know about the things that hide in the dark. Insanity is the least of them.
It is one thing to be delivered from bad thoughts, and another to be freed from the passions. Often people are delivered from thoughts, when they do not have before their eyes those things which produce passion. But the passions for them remain hidden in the soul, and when the things appear again the passions are revealed. Therefore it is necessary to guard the mind when these things appear, and to know toward which things you have a passion.
People should think things out fresh and not just accept conventional terms and the conventional way of doing things.
I promise you this: at the end of your days, you will discover that the things you now perceive to be the big things in your life will be seen as little things, and all those things that you now believe to be the little things, you will realize were really the big things.
Because I'm a performer I can justify and sometimes sell the things about me that offend and shock the conventional world. I need to live life in the fast lane. I need to do things to excess. I need to go over the edge. I have an obligation to experience the things most people can't experience. The taboos. The things you're not supposed to know or do. That's part of my job. That's why I do it. I would probably do it anyway.
Well, you know, a lot of people look at the negative things, the things that they did wrong and - which I do. But I like to stress on the things I did right, because there are certain things that I like to look at from a positive standpoint that are just positive reinforcement.
I'm very into familiar things, popular things. I'm into things that no one seems to know about or be into. I'm trying to draw a line between those two things and make it clear... that it all makes sense to me. That it's not disparate. That it's all one thing inside me.
When you're dying and your life is flashing before your eyes, you're gonna be thinking about the great things that you did, the horrible things that you did and the emotional impact that someone had on you and that you had on somebody else. Those are the things that are relevant. To have some sort of emotional impact that transcends your time, that's great. As long as you don't mess it up by being undignified when you're old.
You start to realize connections between experiences and things that push your buttons, and things that have touched you in those vulnerable areas and what-have-you. And they form a little collection over time - at least I do - and as time progresses and new things are learned, you kind of sift through those things until they're air or danceable, you know? But they start as this thing that's either too hard or too soft to dance to.
Why was the blind guy playing with matches, you ask? Because he's good at it. Anything to do with fire, igniting things, exploding things, things with fuses, wicks, accelerants . . . Iggy's your man. It's one of those good/bad things.
Some of what I am doing when I am researching is looking for things people in my family have done and finding out what those things mean, why they did those things and seeing how I fit into them.
but it's not always as set as that. Some things, though, feel like they're right. You and me? It's one of those things. I don't know why they see or why things are such a mess, but in the middle of it all, I do know that being around you is one of tue best things that happened to me in, well, ever.
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