A Quote by Alexandra Ivy
I don't know what your damage is, but in case you've failed to notice,we're in a bit of trouble here. Can you focus on something other than trying to get into my pants?" His lips curled. " I can multitask.
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Well in case you failed to notice, In case you failed to see, This is my heart bleeding before you, This is me down on my knees These foolish games are tearing me apart Your thoughtless words are breaking my heart You're breaking my heart
I don't really know what makes someone want to be a cartoonist, but part of it is trying to get in trouble. You're looking where the line is and seeing how much you can step over it, and I mean, I do that in my personal life, too. I try to anger and piss people off a little bit to try to see what I can get away with. I got in trouble with more than one cartoon.
Act smarter than you are and always know where your exit is in case you get into too much trouble.
I get to focus on something I love to do 24-hours a day rather than trying to squeeze it in between midterms, or even during my normal workday. When I was at Google it was like you wake up at 7 and then you get home by 7 and you start your second job of music. So now I get to focus all my efforts on music, travel and play shows and do all of this stuff. That's the difference - That's all my life is, all day.
Do you want to suck face or not?” “Suck face?” His head fell back and he laughed, his chest vibrating against me. It was a lusty, full-bodied sound and my toes curled at hearing it. Gideon laughed so rarely. My hands slid under his sweater and glided over that warm skin. My lips moved over his jaw. “Is that a no?” “Angel, I’ll suck on any part of your body I can get my mouth on.
Didn't your mother ever tell you," Rob asked, "that you're supposed to play hard to get?" I looked at his lips. I probably don't need to tell you that they're really nice lips, kind of full and strong-looking. "What," I wanted to know, "is that going to get me?
All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.
Pieces. A bit for someone here. A bit there. And sometimes they don't add up to anything whole. But you are so busy dancing. Delivering. You don't have time to notice. Or are afraid to notice. And then one day you have to look. And it's true. All of your pieces fill up other people's holes. But they don't fill your own.
I think he got an incidental elbow in the face, messed up his pretty red lips a little bit. But other than that he'll be fine.
His eyes widened just a bit, his lips flexed. I realized he was trying not to laugh. I hate it when people find my threats amusing.
Who, adult or child, is Michael Jackson truly close to? What and who is he trying to flee? What's the nature of the psychic damage he has so clearly sustained? I suspect his racial identity is more a byproduct of that damage than the primal cause.
You would think after all the hours I’d spent with Gale– watching him talk and laugh and frown– that I would know all there was to know about his lips. But I hadn’t imagined how warm they would feel pressed against my own. Or how those hands [...] could entrap me… I vaguely remember my fingers, curled tightly closed, resting on his chest.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
[Donald] Trump ditched his press pool. That's just stupid and funny. Get over it. You know, [Bill] Clinton ditched his press pool. This is something presidents do sometimes. Don't make everything that Trump does a scandal because what'll happen is you'll diminish the real scandals, you know? You've got to get over the fact that you hate the person and rather focus on what you're trying to do.
The trouble with leaving your feet on the ground is you never get to take your pants off.
Ranger clicked his penlight on. "Hang onto me if you can't see." I curled my hand into the back of his cargo pants just above his gun belt. "I'm good to go." He was still for a beat. "You could have held on to my jacket," he said. "Would you rather I do that?" "No. Not even a little.
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