A Quote by Alexandra Petri
I majored in extracurriculars, honestly. I joined the Harvard Stand Up Comedy Society, which is a ragtag band of misfits. I wrote for 'On Harvard Time,' which was a student TV show trying to be 'The Daily Show.' And I wrote a humor column for 'The Crimson' starting my sophomore year.
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I got a PhD from Harvard and a few years later, there was a girl from Sunderland who hadn't got into Oxford or Cambridge, even though she'd got perfect A-levels. Harvard asked me to come and recruit her because I was recruited out of university by Harvard - they were trying to show that people could make it.
Whatever I did, I always gravitated toward trying to be funny. If I was with friends, we were joking around. If I wrote for the newspaper, it would be a humor column. If I acted, I wanted to do comedy.
While MIT and the University of Chicago duke it out for the title of nerdiest school, James Franco and Renee Zellweger show up at Harvard to party. Somehow, miracle of miracles, Harvard is 'cool.'
As a writer for six years, I wrote my own TV, which, I was the only person in the WWE that could probably honestly say, since day one in NXT, they wrote their own material.
I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.
I was spending all my time at the 'Crimson' - like, 70 hours a week - and I didn't go to class for, like, a year. I failed out of school. I had to leave Harvard, really, halfway through my tenure as the 'Crimson' managing editor. It was this incredibly humiliating and shocking experience.
A lot of comics fly by the seat of their pants, and they pride themselves on being witty, quick, and off-the-cuff. That's not my show. I wrote a show, and I want to do the show I wrote. I'm not interested in what the audience has to say.
Before I went to a meeting at the 'Harvard Lampoon,' I had no idea that there was even a comedy magazine at Harvard, let alone that you could write comedy potentially for a living.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
In 1968, the situation at Harvard was not one of which we can be proud. In that year, the proportion of minority persons in salary and wage positions was approximately 3 per cent. Virtually no minority workers were employed on Harvard construction projects.
Courtney Vance and I are college classmates, weirdly enough. We're both Harvard class of 1982. Courtney, as a work-study job, was a typesetter at the Harvard 'Crimson,' the newspaper where I worked.
I had a certificate that said, 'Doctor of Mixology, Harvard University,' that I actually got from Harvard University. A friend of mine was a research assistant over there and it was one of those student or university perks and she brought me in on that. So I am a doctorate from Harvard and it only took me one afternoon.
My dad was a singer in a band and neither of my parents went to college, and I ended up getting into Harvard and was the first person in my family that went to college and it happened to be Harvard.
The first time I met Jon Stewart was at the press conference that Comedy Central held to announce Jon would be the new host of 'The Daily Show,' which back then was not called 'The Daily Show with Jon Stewart.'
I wrote a letter to Harvard, explaining that I was having difficulty deciding between it and the University of Pennsylvania. Could I come and visit? Years later, the dean of students at Harvard told me that my letter had been posted in the dean’s office for the amusement of the staff. Thus did I learn the measure of institutional arrogance.
I've actually always started with what feels most natural. Which is, the people who surround me in my daily life. So, the first show I ever wrote, which is called 'Surface Transit,' was based in part on people I knew from my family. Co-workers, ex-boyfriends. All of that kind of thing.
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