A Quote by Alexandre Desplat
That's the main lesson I've learned from working in the theater: respect the dramaturgy. I don't want to overwhelm everything with music.
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Yes I was burned but I called it a lesson learned. Mistake overturned so I call it a lesson learned. My soul has returned so I call it a lesson learned...another lesson learned
But, yes, I learned everything working in theater. I learned the importance of community - I was constantly going to play readings, stand-up nights, improv. nights.
We have learned the lesson that the music industry didn't learn. Give people what they want, when they want it, in the form they want it in, at a reasonable price - and they'll more likely pay for it rather than steal it.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
So the truth is, if there's a lesson to be learned from mobile quarterbacks, it is deliver the ball from the pocket, which demands mastery of the data that is involved working in the pocket, which is, 'I know everything about everything.'
Happiness is fleeting - I think that's the main lesson I have learned.
I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.
Any place where you have to deal with many social actors like a school - you have the parents, the Ministry of Education, the school board, and the teachers - you need all kinds of sets and rules. You're trying to foresee anything that can happen and everything becomes really rigid. They don't want to talk about death because they don't want to overwhelm the children, but that has already happened, so you're not going to overwhelm them more.
The main lesson I learned from 2015 is that a World Cup doesn't define a player's career.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
I think the main thing that I've learned while working on 'Let's Stay Together' is how to balance mommyhood and working.
I was inspired to become an actor from theater I'd seen, so I assumed I'd do a lot of theater. But when I left Guidhall, the first thing I did was a short film - I played the main character. And I loved it. I love working on camera. I love the smallness of it and the detail and the routine of it.
I'm not into screamo music, but I respect it. It's hard to do, to keep your voice and stuff like that. It's hard to do, so I respect the music. It's just not my favorite to listen to. That's all I want. I just want people to respect me as an artist.
Ultimately, I think the movie's about working as a means of finding meaning in your life. It's about the lesson, the great lesson, of just working, working and being productive.
I come from a theater family and a theater background, and I come from a philosophy that you respect the space you occupy when you work and you put everything that you have into something.
I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.
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