A Quote by Alexandre Desplat
On 'The Grand Budapest Hotel' I must insist that the sounds of the instrumentation are crucial to reflect what the movie should convey in terms of energy and emotion. It's not just the melody or the tune.
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'The Grand Budapest Hotel' is not really my thing, but I kind of loved it.
I would love to work with anybody who has a good story to tell - Patrick Graham, Vikramaditya Motwane, Anurag Kashyap, Neeraj Ghaywan, Coen Brothers, Wes Anderson. I don't know why I was not considered for that Indian guy's part in 'The Grand Budapest Hotel.'
I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
I saw 'The Grand Budapest Hotel.' I liked it. I saw 'The Fault in Our Stars,' and I could see why young girls like it. But it dropped off like crazy in the second weekend. I liked 'Fed Up' - I love documentaries. I go to a lot of documentaries.
I kind of always thought that I had a good ear for melodies. I think in terms of melody. I can just be walking and I'll hear a melody.
There's a lot of mythological stories you can tell. There's not just one. I appreciate all of those different kinds, but what I was personally missing was grand, classic, true-north hero. Pure and simple emotion, and also aiming for big time emotion, like love story as well, in a very sincere way. Like 'Superman: The Movie' had done for me.
I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do. The best thing is simple: just getting the finished version of a track that sounds incredible, from when it was just a melody in my head. Seeing that executed is sick. There's not really too much downside as I write by myself so I'm only sharing the part I'm comfortable sharing. It's all good.
If you're trying to convey a crucial emotional truth, you have to be in total control of the emotional pacing of the story, and if you can only strike one note in terms of tone then you're going to be quite limited as a writer.
Songs should have an infectious melody and rhythm and, I think, should elicit an emotion of happiness or of celebration or of sadness or of sorrow or of love or laughter, whatever.
That sound in tune to you?.. Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.
Gandhi said 'One cannot do right in one area of life whilst he is occupied in doing wrong in another; Life is one indivisible whole.' This point of wisdom is profound. A commitment to excellence is not just reserved for a few select areas of your life - it must be reflected in everything you do. Your diet must reflect your commitment to excellence. Your physique must reflect your commitment to excellence. Your personal habits must reflect your commitment to excellence and your thoughts must reflect a commitment to excellence.
If I was called back to 'Grand Budapest 2,' a prequel or whatever, I'm there. I'm there in a heartbeat.
The thing about Auto-Tune is it can't fix everyone. It only fixes pitch. Everything else - the emotion and the attack and the energy? That's what a singer is.
I have a wonderful piano that I really love: a handmade Yamaha grand. Sometimes I'm sitting there, and it sounds so good that I find some little melody or a phrase that leads me into a song, but probably more often than not, I actually grab a notebook.
For the first movie, they had the girls in one hotel and the boys in another hotel. Then, we found out that they actually preferred their hotel, so we moved over there and all hell broke loose.
I know a girl who cries when she practices violin because each note sounds so pure it just cuts into her, and then the melody comes pouring out her eyes. Now, to me, everything else just sounds like a lie.
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